Has 12 Years a Slave finally exorcised Hollywood’s racist legacy? A consideration of representations of slavery on screen from The Birth of a Nation to Django Unchained and Belle
In this series, frieze d/e looks at the logistics behind art works. Here, Isa Rosenberger explains the film she made for an exhibition aboard a nuclear-powered icebreaker in Murmansk
The radical journal and independent publisher has long been an open-ended enterprise, the product of innumerable people and their own tangled itineraries