Profiles

Showing results 501-520 of 856

Theatricalizing the design process online

BY Elizabeth Glickfeld |

In this series, frieze d/e looks at the logistics behind art works. Here, Michael Sailstorfer explains how he ‘reversed nature’ for Emscherkunst.2013

BY Michael Sailstorfer |

The quasi-documentaries of Viennese filmmakers Tizza Covi and Rainer Frimmel

BY Bert Rebhandl |

With the 50th anniversary of the DAAD’s Artists-in-Berlin Programme this year, a visit to its most legendary artists’ apartment

BY Jan Kedves |

Helga Wretman’s Fitness for Artists TV revives the surprisingly long history of art and exercise

BY Jörg Scheller |

Die Kamera blickt auf den nackten Rücken einer Frau, die gerade aus der Dusche kommt und jetzt vor dem Spiegel steht. Dann das kratzende Geräusch einer Schere, die Schamhaare schneidet. Die Frau beugt sich leicht nach vorne und obwohl uns der frontale Blick auf sie verwehrt bleibt, könnte dieser flüchtige Moment nicht von größerer Intimität sein.

BY Toby Ashraf |

There is a notion held by some that to describe the world is photography’s highest calling. If true then Libbie D. Cohn and J.P. Sniadecki have answered the call admirably with their film People’s Park (2013), what they describe to me modestly as ‘a slice of life in Chengdu, China on July 23, 2011’.

Chilean director Pablo Larraín discusses the merging of fact and fiction in his films

BY Rob White |

Are objects more real than words? Or, how poet and novelist Ben Lerner stopped being jealous and learned to love the virtual

BY Ben Lerner |

An excerpt from Men and Apparitions, a novel in progress

BY Lynne Tillman |

A graphic novel specially commissioned by frieze

BY Christopher Darling |

The director Milo Rau and his theatrical hyper-allegories

BY Jörg Scheller |

In this series, frieze d/e looks at the logistics behind art works. Here, the founder and the director of Sitterwerk in St. Gallen explain the foundry’s many functions and processes.

BY Ariane Roth |

A new film reconstructs Félix Guattari’s unproduced sci-fi script

BY Erik Morse |

The texture of Rosenfeld’s work is woven from often seemingly disparate times, places and registers of culture

BY Dan Fox |

Conductor-turned-filmmaker, Christian von Borries’s films blend Pop appeal with Capitalist critique

BY Thomas Hübener |

For 20 years, filmmaker Heinz Emigholz has been documenting icons of Modernist architecture

BY Bert Rebhandl |

The collected writings of Richard Bartholomew, one of India’s pre-eminent art critics

BY Shanay Jhaveri |

The mutating activities of DIS

BY Kevin McGarry |

Remembering Antony Balch, filmmaker and distributor extraordinaire

BY William Fowler |