What are our bodies allowed to perform?
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Bjarne Melgaard’s ‘The Casual Pleasure of Disappointment’ and the perils of branding
The relevance today of Arthur Evans’s Witchcraft and the Gay Counterculture
From Werner Herzog to Arthur Jafa: contemporary life, or how to make meaning from fragments
The importance of satire in an era of Trump
Rome has long been a draw for international artists and now, increasingly, galleries. Have Italian artists been left at the gates?
From Donald Trump's post-truth to Andy Warhol's philosophy, and back again
How open are open calls?
The application of theory to the modern world
Thoughts on the difficulties of introducing art into the public realm, following a recent symposium organized by Oslo Pilot
On the award-winning dancer and choreographer Faustin Linyekula, who is funding a water-treatment facility in the Congolese city of Kisangani
Does much of the contemporary art shown in the Ghanaian capital of Accra amount to ‘willful exoticism’?
Analysis and reaction to the surprise closing of Inverleith House after 30 years
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