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Contributor
Steven Zultanski

Steven Zultanski is the author of several books of poetry, including On the Literary Means of Representing the Powerful as Powerless (2018) and Honestly (2018). He lives in Copenhagen, Denmark. 

The artist and poet speak to frieze about staging the domestic intimacies of the pandemic and post-pandemic worlds

The artists speaks to Steven Zultanski from the set of her new film in Tivoli, New York

BY Steven Zultanski |

At Kunsthall Charlottenborg, a group exhibition aims to draw connections between witch trials and colonialism but fails to grapple with their continuities 

BY Steven Zultanski |

A retrospective of the Japanese artist's work at Louisiana Museum, Humlebæk, sheds new light on his merging of the biological and the artificial

BY Steven Zultanski |

Steven Zultanski on the Chicago-based cult video artist

BY Steven Zultanski |

A remarkable new collection of writings by Madeline Gins makes a strong case for her work as an uncategorizable poet

BY Steven Zultanski |

In ‘All That Beauty’, it’s not a matter of seeing better, or more clearly; it’s a matter of seeing more widely and wildly

BY Steven Zultanski |

In My Mother Laughs, Akerman’s pain while watching her mother’s health worsen becomes entwined with the shock of heartbreak

BY Steven Zultanski |

A survey at Denmark’s Louisiana Museum displays the Austrian artist’s expert linking of social concerns and surrealism

BY Steven Zultanski |

Steven Zultanski reviews five wide-ranging new collections that address immigration, love and the cruelties of the internet

BY Steven Zultanski |

New books by Ben Fama, Stephanie Young, Robert Fitterman, Miyó Vestrini and Ed Steck wonder about language, politics and love

BY Steven Zultanski |

The late artist Knud Viktor painted a sonic portrait of the non-human world

BY Steven Zultanski |

Newly published in the US, ‘Birthday’ sees the Argentinian writer at his most personal – and vulnerable

BY Steven Zultanski |

Cruel Fiction expresses hope for concrete social movements that imagine a different world than our own

BY Steven Zultanski |

Pointed in its politics and inspiringly imaginative, Empty Metal queries whether the end of the world might already have taken place

BY Steven Zultanski |

From credit scores to algorithmic policing, Jackie Wang’s Carceral Capitalism reveals technocracy as not merely analytical, but predictive

BY Steven Zultanski |