David Goldblatt discusses representation, censorship and his decision to remove his archive from the University of Cape Town

Francis Alÿs, Untitled, 1994. Oil on canvas on wood, 19 × 22 cm. Courtesy: the artist and David Zwirner, London and New York

Francis Alÿs, Untitled, 1994; Filippino Lippi, Allegoria dell’Amore (Allegory of Love), c.1500

Hieronymus Bosch, The Garden of Earthly Delights Triptych, 1490–1500. Oil on oak panel, 2 × 3.9 m. © Museo Nacional del Prado, Madrid

Hieronymus Bosch, The Garden of Earthly Delights, 1490–1500

Hollis Frampton, (nostalgia), 1971. Film still. Courtesy: The Estate of Hollis Frampton and Anthology Film Archives, New York. 

Hollis Frampton, (nostalgia), 1971

Andy Warhol, Male Genitals with Bow, c.1956. Graphite on tracing paper, 48 × 34 cm. Courtesy: © 2017 The Andy Warhol Foundation for the Visual Arts, Inc., ARS, New York and DACS, London / Artimage

Andy Warhol, Male Genitals With Bow, c.1956

Bertel Thorvaldsen, Józef Poniatowski, 1826–27. Plaster, 4.6 × 1.3 m. Courtesy: Thorvaldsens Museum, Copenhagen 

Bertel Thorvaldsen, Józef Poniatowski, 1826–27

Rogier van der Weyden, The Crucifixion, with the Virgin and Saint John the Evangelist Mourning, c.1460. Oil on panel (diptych), 1.8 × 1.9 m. Courtesy: The John G. Johnson Collection, Philadelphia Museum of Art, Cat. 334 and 335.

Rogier van der Weyden, The Crucifixion, with the Virgin and Saint John the Evangelist Mourning, c.1460

Peter Hurd, Enemy Action over American Bomber Station, 1942. Tempera on board, 53 × 80 cm. Courtesy: Smithsonian American Art Museum, Washington, D.C., and Army Art Collection, US. Army Center of Military History, Washington, D.C.

Peter Hurd, Enemy Action over American Bomber Station, 1942

Kerstin Brätsch, ‘Innovation’, 2017, exhibition view at Museum Brandhorst, Munich. Courtesy: the artist and Museum Brandhorst, Munich; photograph: Uli Holz

Artist Kerstin Brätsch and filmmaker and writer Alexander Kluge speak to Pablo Larios about algorithms, fortune-tellers and stained glass windows

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Paulo Bruscky, Conexão (Connection), 2013, suitcase and collage, 34 × 54 × 18 cm. Courtesy: the artist and Galeria Nara Roesler, New York/Rio de Janeiro/São Paulo

On the eve of his solo exhibition at Centre Pompidou, Paulo Bruscky talks about mail art, fluxus and outwitting the Brazilian military dictatorship

Ahead of the 5th edition of his cult annual event – the first outside of New York – Stewart Uoo talks positivity, performance and parties

Do artificial intelligence devices carry the racial and gender biases of their creators?

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Sponsored Content - 22 Jan 2018

With the sad news of the passing of Jack Whitten, revisiting a trip we made to artist's studio last year

A Step Away from Them, excerpt from Lunch Poems by Frank O’Hara. Used by permission of City Lights Books. Photography: Clément Pascal

Frieze Art Fair Video - 18 Jan 2018

Exploring New York City in the footsteps of Frank O’Hara