The Israeli-born American artist talks about his show inaugurating the Stockholm foundation's satellite space in Jaffa
With the sad news of the passing of Betty Woodman, revisiting her interview where she talked about ceramic histories and modern painting
Q: What should change? A: 'At the Moment, Britain's slow car crash into Brexit.'
An interview with Casco – Office for Art, Design and Theory, on new ways for art institutions to work
Fifty years after its first outing, the artist reprises his legendary Walking Sculpture performance in the US
Founders of the Book Society in Seoul, Helen Ku and Lim Kyung Yong, talk about the origins of their bookshop and publishing house
Q: What do you like the look of? A: Water, always, in any weather. Calm, stormy, in the morning, at sunset, even at night.
Q: What do you wish you knew? A: ‘Why I find vacuuming the house so oddly gratifying.’
An interview with Barry Miles, the co-founder of ’60s underground newspaper International Times
With a solo presentation at Frieze London, Melvin Edwards discusses symbols, self-expression and his work in the Tate’s ‘Soul of a Nation’ show
Q: What do you like the look of? A: Art that does not look like art
Osei Bonsu talks to curator Germano Celant about the enduring relevance of the Italian art movement, Arte Povera – a term Celant coined 50 years ag
Joseph Kosuth talks about Almine Rech (C24)’s solo presentation of his work at Frieze New York 2018
‘The bright yellow square - that’s Hudson’