Reviews

Saturated with marketing sleights of hand and anti-capitalist theory, her work isn’t to blame, any more than I am for reproducing the same rhetoric here

By Sophie Ruigrok

In the face of creeping far-right thinking, an exhibition in Munich underscores the role contemporary art can play in ensuring historic atrocities are never forgotten

By Kito Nedo

Can Reiner Holzemer’s documentary finally lift the lid on the famously private designer? 

By Hettie Judah

The artist presents a range of paintings and sculptures at The Contemporary Austin that problematize grand historical narratives 

By Shiv Kotecha

In 1969, sculpture students were kept in isolation and prohibited from keeping whatever they made – an approach contested at the time and inconceivable now

By Juliet Jacques

The artist’s cardboard interventions remind us that the modernist Heide Museum, Melbourne, was once a home – where people lived and touched

By Sophie Knezic

The artist’s new immersive installation at Centre Pompidou explores ecstatic states as a means of reconnecting with human empathy

By Francesca Gavin

‘Death in Her Hands’ toys with the conventions of crime fiction in ways that are often heavy-handed 

By ​Tyler Patterson

At the Whitney Museum, an ambitious survey shows the transformative effects of Mexican muralism on the US avant-garde 

By Jackson Arn

The artist’s installation – based on the interior of a nearby gay cruising bar – invokes a haunted sense of refuge

By Matthew McLean

At the Norval Foundation, Cape Town, the artist’s recent paintings refer to the contentious 2017 re-election of Uhuru Kenyatta 

By Sean O'Toole

The artist’s exhibition at Centre d’art contemporain Passerelle, Brest, blends gender, race and class politics with science fiction

By Wilson Tarbox

Video

Frieze Fairs - 18 May 2020

Himali Singh Soin's Frieze Artist Award 2019 commission explores urgent questions about environment, history and myth

Frieze Fairs - 15 May 2020

The artist, featured in the Diálogos section of Frieze Viewing Room, speaks to Rodrigo Moura, Chief Curator of El Museo del Barrio