Exhibition Reviews

Showing results 41-60 of 942

At Centro de Arte Moderna Gulbenkian, Lisbon, the artist guest curates an exhibition that tackles the history of gender bias in institutional acquisitions

BY Vanessa Peterson |

In a packed retrospective at the Royal Academy of Arts, London, the artist’s depictions of everyday objects take centre stage

At its most moving, the 2024 Toronto Biennial of Art asserts that expressions of joy in precarious times are no small feat

BY Cassie Packard |

This year’s Busan Biennale, inspired by David Graeber’s notion of ‘pirate enlightenment’, offers a glimpse into a world where progress can only be found outside the West

BY Terence Trouillot |

In his first solo institutional exhibition at Centro Pecci, Prato, the artist’s intimate vignettes honour queer sensuality

BY Lou Selfridge |

In her latest show at Waddington Custot, London, the artists triptychs reimagine the sacred through large-scale abstraction 

BY Sofia Hallström |

Once excluded from art history, the conceptual artist has her first US solo exhibition at the American Academy of Arts and Letters, New York

BY Madeleine Seidel |

After an election dominated by far-right rhetoric, curator Alexia Fabre’s eclectic network of artists presents an inclusive vision of French culture

BY Wilson Tarbox |

A packed survey at the National Portrait Gallery in London reveals an artist who was the architect of his own myth

BY Sean Burns |

Her retrospective at the Center for Art, Research, and Alliances demonstrates a philosophy almost incompatible with the viewing methods of institutional exhibition

BY Simon Wu |

At Cecilia Brunson Projects, London, the artist uses theories from quantum physics to weave a narrative of human connection

BY Ellen Mara De Wachter |

Inspired by Joan Didion's novel, a new group show at Charim Gallery, Vienna, toys with the illusion of choice

BY Ivana Cholakova |

An ecofeminist show of 18 artists and collectives at The Brick, Los Angeles, decentres a male perspective – but ultimately can't get away from a human one

BY Jonathan Griffin |

Nicolas Bourriaud’s theme of ‘pansori’ suggests an opera you can walk through – but this only begins to take form at the Gwangju Biennale

BY Jeppe Ugelvig |

At Unit Gallery, London, the artist's layered canvases capture platonic love in the youthful heat of the moment

BY Emily Steer |

The artists show at kurimanzutto, New York grapples with a transgenerational experience of a conflict that’s often overlooked and largely unresolved

BY Marko Gluhaich |

In her comprehensive retrospective at EMMA in Espoo, Finland, the artist questions the limits of human understanding in the age of technology

BY Nicholas Norton |

At Arcadia Missa, London, the artist’s painted radiator units become geopolitical abstractions that provoke a deeper interrogation of global power dynamics

BY Tara Okeke |

At Fridericianum, Kassel, the artist evokes racial power dynamics through objects and watercolours that hint at violence and containment  

BY Charles Moore |

At Night Gallery, Los Angeles, the artist’s sardonic creations reveal the human cost of imperial intervention and unchecked capitalism

BY Tara Anne Dalbow |