Profiles

Muriel Cooper: a graphic design pioneer who anticipated the digital revolution

From latex printing to art restoration: Markus Hoffmann of renowned Dusseldorf photo lab Grieger takes us through the company’s processes

Austrian band Ja, Panik’s utopian Esperanto

How German-language cinema is joining the global horror boom

Staging Martin Kippenberger’s turbulent biography

Has Hollywood primed us for total surveillance?

The global spread of Chicago footwork

The virtual realities of Spring Breakers and The Bling Ring

In this series, frieze d/e looks at the logistics behind art works. Here, Isa Rosenberger explains the film she made for an exhibition aboard a nuclear-powered icebreaker in Murmansk

Berlin’s role in data surveillance and the NSA scandal: an interview with Constanze Kurz

Ramon Zürcher’s choreography of motion and stasis in Das merkwürdige Kätzchen

Mixing philosophy and performance at the Tanzquartier Wien

50 years of Van Dyke Parks

The framing of art and life in Rachel Kushner’s The Flamethrowers

A report from the 66th Locarno Film Festival

The pioneering gallerist Kekoo Gandhy

The radical journal and independent publisher has long been an open-ended enterprise, the product of innumerable people and their own tangled itineraries

Theatricalizing the design process online

In this series, frieze d/e looks at the logistics behind art works. Here, Michael Sailstorfer explains how he ‘reversed nature’ for Emscherkunst.2013

The quasi-documentaries of Viennese filmmakers Tizza Covi and Rainer Frimmel