The September issue of frieze is about the super-hybrid: what is it and should we be worried?
In this issue’s ‘State of the Art’ editorial, Jörg Heiser describes a phenomenon he has provisionally called ‘super-hybridity’.
In the wake of ravenous capital and the transformative effect of the Internet, hybridized forms of art-making have today ‘moved beyond the point where it’s about a fixed set of cultural genealogies and instead has turned into a kind of computational aggregate of multiple influences and sources’.
