Q. What do you like the look of? A. The everyday world: grand and microscopic.

The complicated idea of ‘home’

The fate of postwar murals in the UK

Creating and contesting categories

What the case against Luc Tuymans reveals about the difference between US and EU copyright law

Change is in the air at the city’s institutions

Novelist Sarah Hall talks to Sarah Lucas about sculpture, sexual politics and representing Britain at the Venice Biennale

On the ruptures and restlessness of much contemporary art, and how this is reflected in the 56th Venice Biennale

Travis Jeppesen considers disruption and ambivalence in the work of Simon Denny, in the run-up to the artist’s major project for the Venice Biennale

Undivided selves

How a sense of the local shapes art in the US

Connections across time and place in the work of Danh Vo

Imagining a world without humans

Rediscovering the late, great philosopher Henri Lefebvre, whose ideas are increasingly relevant to contemporary life

From stick insects to rhombuses: working between the organic and the geometric

Dominikus Müller talks to Olaf Nicolai about place, subjectivity and the artist’s project for the German pavilion in Venice

When the Rolling Stones met James Brown

Spoken-word recordings can offer a liberating alternative, audibly melting text from the permafrost of print 

Design, architecture and optimism in postcolonial Africa

The personal process of exhibition-making

Revisiting Berlin Alexanderplatz on the 70th anniversary of Rainer Werner Fassbinder’s birth

‘So shallow is this show that I left with the surprising sensation of knowing even less about Björk than I did when I entered’

New Museum, New York, USA

Wiels, Brussel, Belgium

Budapest, Hungary

New York, USA

Bortolami Gallery, New York, USA

Galerie Lelong, New York, USA

Bureau, New York, USA

Museum of Contemporary Art San Diego, USA

Human Resources, Los Angeles, USA

1301PE, Los Angeles, USA

Rockbund Art Museum, Shanghai, China

Various venues, Kyoto, Japan

West Space, Melbourne, Australia

Hopkinson Mossman, Auckland, New Zealand

Żak | Branicka, Berlin, Germany

In his latest work, the artist unravels the complexity of identity within the art world 

Kunsthalle Wien, Vienna, Austria

gb agency, Paris, France 

CAPC musée d'art contemporain, Bordeaux

Ludwig Múzeum, Budapest, Hungary

Van Abbemuseum, Eindhoven, The Netherlands

Malmö Konsthall, Sweden

MACBA, Barcelona, Spain

Francesca Minini, Milan, Italy

the Bluecoat, Liverpool, UK

Chisenhale Gallery, London, UK

Massimo de Carlo, London, UK

Campoli Presti, London, UK

Barbican, London, UK

Evelyn Yard, London, UK

Tate Modern, London, UK

David Roberts Art Foundation, London, UK