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Barbara Casavecchia

Curated by Paola Antonelli, ‘Broken Nature’ offers a few rays of hope amid environmental disaster

By Barbara Casavecchia

At Galleria Massimo Minini, Brescia, the artist explores technical virtuosity and trompe l’oeil through bronze-branches on fire, fake mirrors and floating candles

By Barbara Casavecchia

‘The last time I felt maenadically enthusiastic was during this year’s Pride, marching down the streets of Milan under a scorching sun’

By Barbara Casavecchia

The Italian city’s latest art space is a welcome addition to its booming art scene

By Barbara Casavecchia

Hiller’s discomfort towards dominant narratives made her look at all sorts of suppressed subjects, from outlaw cowgirls to protest songs

By Barbara Casavecchia

Selections include Kathy Acker’s solo show at the ICA, Pedro Neves Marques at Gasworks and Banu Cennetoğlu’s pair of exhibitions in New York and Düsseldorf

From the errors of AI to the pleasures of VR, contributing editor Barbara Casavecchia gives the lowdown on the best shows opening this week

By Barbara Casavecchia

Showing at Istanbul’s Protocinema, the artist’s new film uses the ancient site of Çatalhöyük to investigate a community and its collapse

By Barbara Casavecchia

In its autumn exhibitions, the Milanese art world focuses on the work of women artists

By Barbara Casavecchia

At Galleria Civica’s satellite space, Modena, the artist’s first retrospective explores the latent possibilities of ‘togetherness’

By Barbara Casavecchia

With the 12th edition of the itinerant European biennial opening in Palermo, what do local artists, curators and gallerists think of the project?

By Barbara Casavecchia

From Glenn Ligon’s first solo exhibition in Italy, at Thomas Dane Gallery, to a unique project in an ancient Roman aqueduct

By Barbara Casavecchia