A specially commissioned visual essay by the artist, ahead of his Hammer Museum retrospective

By Paul McCarthy

In Buffalo, the artist Marlene McCarty has planted a toxic garden that draws on the area’s intertwined histories of capitalism, expropriation and utopian dreaming

By Jennifer Kabat

The artist’s nine-day performance in the museum’s galleries ties the migration of peoples and objects to the systems that control and classify them 

By Tausif Noor

In ‘This Marram’, TM Davy ushers you into a very personal – and almost enchanted – sliver of Fire Island

By Shiv Kotecha

‘I could sit among the velvet blackness forever’

By Gabriella Pounds

The drawing of a nude model by the Austrian Expressionist belongs to a series of 22 other works 

By Frieze News Desk

A show at London’s Cabinet Gallery gives insight into the great writer’s most troubled period

By Patrick Langley

Bringing together more than 200 artworks, the Drawing Biennial 2019 hammers home why the medium is still so crucial to artists working today

By Sophie Ruigrok

A series of specially commissioned drawings for frieze's 200th issue

By Stanya Kahn, David Shrigley and Bedwyr Williams

‘In everything she does, Adele’s honesty is at the core of her vision’

By Allison Katz
Mark Bauer installation for Frieze Projects at Frieze London 2017

Frieze Fairs - 07 Oct 2017

South London perspectives on stereotypes, power and ideological systems

On copying, repeating, quoting and joking, Sturtevant & The Salon Pour Rire

By Mimi Chu