EU Reviews

Building on the feminist themes of Deborah Levy's 'Real Estate', the artist’s solo exhibition at Istituto Svizzero celebrates women relegated to the side-lines of history

At Kunsthalle Mainz, the artist contrasts presence and absence to question the truth of captured events

The first edition of the Parisian festival brings together twenty-seven artists who grapple with technologies of image-making

At Cordova, Barcelona, the artist's backwards-running wristwatch evokes a well-worn sci-fi conceit to explore desire, consumerism and remembrance

At Fitzpatrick Gallery, Paris, the artist's overdue retrospective underlies humanity’s compulsive attraction to its technological creations

At Bonniers Konsthall, the artist's ambitious new video installation uses the ancient Chinese tradition of shadow play to map a diasporic imaginary

At MHKA, Museum of Contemporary Art Antwerp, the artist questions how cultural artefacts are transformed by their mode of presentation

At Kunsthall Trondheim, Norway, artists plant sites of refuge in an earth scarred by colonialism

For their first solo exhibition in Switzerland, the artist and energy worker uses multisensory environments to go beyond the fatalistic parameters of representation

The artist's stripped back solo exhibition at Lucas Hirsch, Dusseldorf, imbues generic scenes with personality

At FOMU Photo Museum Antwerp, the artist reveals the contrivances and ambiguities of documentary photography

At Fondazione Memmo, Rome, the artist's latest installation voices concerns on power inequalities and global uneasiness

At Galeria Plan B, the artist aims to symbolically transform visitors into a state of extraordinary openness

At Wschód, Warsaw, the artist uses digital tools to develop sculptures that confound scale, visual plane and function

At Halle für Kunst Steiermark, a thematic group exhibition underscores how the COVID-19 pandemic has affected our relationship to the home

At Ordet, Milan, the artist's works based on the circulation and consumption of energy speak to the power of relations

At Dortmunder Kunstverein the artist critically reflects on the institutionalisation of racism in Germany

At Efremidis, Berlin, the artist's new series of lenticular prints revisits the controversy surrounding Kristen Visbal’s Fearless Girl (2017)

At Jan Mot, Brussels, the artist's still lifes reanimate his 1987 installation at New York’s Cable Gallery, giving tangible proof of his fictional narrative

At Karma International, Zurich, the artist’s new series of prints allude to the trauma of grief