EU Reviews

Showing results 261-280 of 298

At Sweetwater, Berlin, the artist plays on passé 1980's glamour, sculpturally employing transparent and mirrored surfaces to attract and deflect the gaze

BY Chloe Stead |

At Fondazione Prada, the artist’s site-specific installation plays on puns and cultural icons to debate identify politics through the story of a cartoon bear called Who

BY Ana Vukadin |

At Konrad Fischer Galerie, Berlin, the artist harnesses her voice to explore how sound can sculpt our perceptions of space

BY Sonja-Maria Borstner |

At Mountains, Berlin, the Honduras-born-Florence-based artist explores the complex relationship between the origin and translations of indigenous knowledge

BY Carina Bukuts |

An exhibition at Kunstverein, Amsterdam, highlights the artist’s pioneering work with progressive writers of the 1970s and '80s, including Kathy Acker, Constance DeJong and Pati Hill

BY Julia Mullié |

At her first institutional solo exhibition in Sweden at Moderna Museet, the artist’s sculptures reference Marcel Duchamp and evocations of pleasure and knowledge

BY Matthew Rana |

At Centre d’Art La Panera, Lleida, the artist reflects on our changing relationship to the land through sculptures that disintegrate over time

BY Max Andrews |

At CRAC Alsace, the artist’s site-specific video installation envisages the collapse of the EU, exploring murky tax systems and the processes of alienation

BY Oriane Durand |

At Oslo's Fotogalleriet, the artist explores how the motions of avatars influence the movement of our bodies

BY Timotheus Vermeulen |

At the Georgia Museum of Art, Athens, a retrospective of the artist’s prominent career highlights her ingenuity across various mediums

BY Logan Lockner |

A group show at Aargauer Kunsthaus demonstrates that the late Swiss researcher’s interest in alternative knowledge strikes a chord with a new generation of artists

BY Chloe Stead |

At Jan Kaps, Cologne, the artist highlights the economic precarity of sex workers and the movements encouraging positive change

BY Noemi Smolik |

At Galerie Eva Presenhuber, Zurich, the photographer finds inspiration in baroque paintings and stock imagery to explore modern symbols of status

 

BY Kito Nedo |

In ‘Bronzed from Silver’ at Sans Titre (2016), Paris, the artist’s hybrid metal works explores how the body serves as a tool for cultural identification

BY Oriane Durand |

This year’s edition of the nomadic biennial highlights Marseille’s vibrant art scene while simultaneously looking at historical international power relationships

BY Oriane Durand |

The exhibition dedicated to contemporary Russian art looks at how the country’s past two decades under President Vladimir Putin informed art production

BY Valerie Mindlin |

At VITRINE, Basel, the artist creates a theatre-like setting, which reflects on the aesthetics of public transportation

BY Kito Nedo |

At Felix Gaudlitz, Vienna, a series of photographs by the French novelist beautifully captures the notion of intimacy

BY Max L. Feldman |

The Austrian art festival creatively rethinks ways of exhibition-making during a pandemic with a collection of commissioned TV shows

BY Louisa Elderton |

At the Westfälischer Kunstverein, Münster, the artist probes the ambiguity – and superstition – of everyday items

BY Gabriela Acha |