EU Reviews

A spectre of danger permeates the works in this impressive survey at the Irish Museum of Modern Art, Dublin 

At the National Gallery of Kosovo, the artist highlights the stifling media depictions of women in former socialist Yugoslavia

At the Museum für Moderne Kunst, Frankfurt, the artist questions our unwavering faith in efficiency and development

At Haus am Waldsee, Berlin, the artist’s life-like dolls use silence to navigate discourse around violence

At Capitain Petzel, Berlin, the artist’s vivid tableaux of exercise and protest convey a sense of motionless uncertainty

Inspired by a Maryse Condé novel, this group exhibition at Palais de Tokyo, Paris, asks where and with whom refuge can be found

At APALAZZOGALLERY, Brescia, the artist’s first solo retrospective mainlines virility and homosocial tenderness as a foil to abject mementos of the AIDS crisis

In a complex exhibition at Z33, Hasselt, images and items from mass culture permeate the murals and installations on display

At Galerie Elisabeth & Klaus Thoman, Vienna, the artist’s textured paintings invite us to delve beneath their surface

The 15th Baltic Triennial at the Contemporary Art Centre, Vilnius, forgoes a strict curatorial premise, suggesting that artworks should speak for themselves

At the Museum Angewandte Kunst, Frankfurt, the artist’s elusive works defy institutional classification by embracing artistic motion

At Galerie Thomas Schulte, Berlin, the artist’s small-scale canvases depict refreshingly palpable scenes of queer desire

At Franz-Josefs-Kai 3, Vienna, the artist presents a show whose engagement with water is inseparable from a deep sensibility towards Indigenous history

At Centro de Arte Moderna Gulbenkian, Lisbon, the artist guest curates an exhibition that tackles the history of gender bias in institutional acquisitions

From Chris Ofili’s portraits of Othello at David Zwirner to Barbara Crane’s double-exposed casino signs at Centre Pompidou

In his first solo institutional exhibition at Centro Pecci, Prato, the artist’s intimate vignettes honour queer sensuality

After an election dominated by far-right rhetoric, curator Alexia Fabre’s eclectic network of artists presents an inclusive vision of French culture

Inspired by Joan Didion's novel, a new group show at Charim Gallery, Vienna, toys with the illusion of choice

In her comprehensive retrospective at EMMA in Espoo, Finland, the artist questions the limits of human understanding in the age of technology

At Fridericianum, Kassel, the artist evokes racial power dynamics through objects and watercolours that hint at violence and containment