Feature

Showing results 141-160 of 205

The migrating forms of Thea Djordjadze

BY Matthew McLean |

Simon Elson's new biography of the overlooked art connoisseur Max J. Friedländer

BY Jan Kedves |

What is an artist's play and how does it differ from performance art?

BY Matthew McLean AND Stephen Squibb |

Art historian Andrianna Campbell and photographer Matthew Connors visited Cuba to explore the shifting meaning of political monuments in a new era of change

BY Andrianna Campbell |

Why enthusiasm, not scholarship, motivates artists

BY Julian Hoeber |

Sarah Hromack unpacks the work of the Dutch design studio

BY Sarah Hromack |

Public art in Germany has a long and fraught history. What is its place today?

BY Dominikus Müller |

How humour feeds painting

BY Paul Teasdale |

With the publication of his recent five-volume catalogue raisonnée, how does architect Peter Zumthor convey a lifetime’s body of work?

BY Carson Chan |

Xu Zhen and his cultural production organization, MadeIn Company

Chinese Translation

BY Colin Siyuan Chinnery |

With the sad news of Stanley Brouwn's passing, aged 81, we revisit our feature on the elusive artist

BY Oscar van den Boogaard |

Gianfranco Baruchello’s long career encompasses painting, sculpture and film as well as farming and psychoanalysis

BY Luca Cerizza |

Natascha Sadr Haghighian’s works record and refract the mechanisms of power

BY Martin Herbert |

Since the mid-1990s, Henrik Olesen has taken apart clichés about gay identity and turned the pieces into visceral installations, sculptures and collages

BY Jan Verwoert |

Is the activity of artists overshadowing their art?

BY Boris Groys |

Moving between concealment and display, the artist treads a fine line between seduction and deception

BY Sam Thorne |

Explorations in size and scale in recent Japanese sculpture

BY Edward Allington |