Film

Showing results 201-220 of 466

The mythic time of comic-book narrative represents a fatal challenge to the film’s transcendent politics

BY Gerry Canavan |

From the controversial winner of the Golden Bear to Morgan Fisher's homage to Bruce Conner – to possibly the bleakest film ever made

BY Bert Rebhandl |

A series of ‘magical transformations’: Tacita Dean’s new work launches across three institutions in London

BY Ben Eastham |

Naeem Mohaiemen’s films reflect on recent histories of the global radical Left

BY Sarinah Masukor |

With the arrival of the first superhero film to feature a black lead since 1998's Blade, a reading list on black comic-book culture

BY Andrew Durbin |

‘That moment, that smile’: collaborators of the filmmaker pay tribute to a force in California's film and music scenes and a vital friend and ally

BY Geeta Dayal |

How documentary filmmakers are experimenting with historical narratives to better understand the present

BY Jessica Loudis |

Paul Thomas Anderson's latest film is both gorgeous and troubling in equal measure

BY Jennifer Higgie |

At New York’s Metrograph, a diverse film programme addresses a ‘central problem’ of feminist filmmaking

BY Corina Copp |

Ahead of a show at Amsterdam’s EYE Filmmuseum, how the documentarian’s wandering gaze takes in China’s landscapes of loss

BY En Liang Khong |

Robin Campillo’s portrait of ACT UP Paris puts militancy before mourning

BY Evan Moffitt |

Should acting awards be gender neutral? 

BY Michelle Orange |

Arthur Jafa’s intertwining of video collage and music has the power to open up minds and bodies

BY Jörg Heiser |

Why do we love to watch people who can’t act?

BY David Levine |

Johan Grimonprez’s recent films explore the mechanisms of the arms trade

BY Evan Calder Williams |

Helen Marten responds to Ed Atkins’s new work, Old Food, currently showing at Martin-Gropius-Bau, Berlin

BY Helen Marten |

The New York-based filmmaker has been questioning the politics of image-making for more than three decades

BY Erika Balsom |

Despite its magic unreality, Yorgos Lanthimos’s tale of complicity reflects a brutal real-world collateral

BY Philippa Snow |

Two films using time and repetition to question our fragile relationship to lived reality and revolutionary politics

BY Paul Clinton |

The debut feature film by Austin Lynch and Matthew Booth is a captivating portrait of America loosely inspired by reclusive artist Forrest Bess

BY David Tasman |