Film

The artist’s films at Camden Arts Centre evoke anxiety in the face of world events and the tenderness of collective living

At last, MoMA has restored the dancer, choreographer and filmmaker’s 1980s classic

Alfonso Cuarón’s Roma is full of other movies, yet it ignores the political and dialectical history of movies themselves

Narratively, the ‘choose your own adventure’ film is a dead-end, with repetition and wheel-spinning increasingly producing frustration

Director Yorgos Lanthimos does away with the prudish niceties of the Merchant Ivory format with satisfying energy

A Beirut-based organization supporting Syrian filmmakers captures the response of contemporary art to the wars of our time

The 16th edition of the festival peddles a political cinematography of hope, honesty and humility

‘Each hypnotic frame of No Home Movie lasts just long enough to allow our minds to wander, summoning recollections of domestic spaces’

Isao Takahata’s landmark 1988 anime, which now receives its US theatrical release, crafts a dark moral universe through moments of poignant stillness

In decontextualizing the former Vice President from geo-political circumstance, Adam McKay’s film threatens to add gloss to Cheney’s reputation

‘By its closing scenes, I felt compelled to stand up and clap’

Workshopping a new book project at Porto/Post/Doc, the theorist and filmmaker who diagnosed how Hollywood reinforced patriarchal codes

It’s possible to think of the director as a troll first and serious director second – this is understandable, but regrettable

Kino Classics’s new release attempts to redress a story of cinema centred on white male accomplishment

‘Cinematic’ is often overused, but Roeg’s films showed how minds and memories wander back and forth in time, colouring our experience of the world

The creative friction between director and writer distracts from a film dedicated to quietly empowering the marginalized

Screening as part of the London Palestine Film Festival, recent archival research is uncovering important films once thought lost forever

With the increased telling of refugee stories the film industry may claim to be listening, but the real power remains in the editorial chair

From 14th-century frescos in Siena to a refugee camp in Greece, Astra Taylor's new documentary examines the corrosion of electoral politics

Monrovia, Indiana, a folksy, novelistic tale of white America, plays somewhere between documentary, cliché and ghost story