issue 235

Showing results 1-20 of 33

The poet and artist creates works that occupy a transitional state between life and death

BY Sayuri Okamoto |

Considering the art and writing of the New York based artist, whose work delved into the distances of time and memory

BY John Keene |

MoMA curator Stuart Comer examines the role of everyday items as a way to approach traumatic histories

BY Stuart Comer AND Marko Gluhaich |

In New York, La Monte Young and Marian Zazeela’s permanent sound and light installation continue to amaze its visitors

BY Sasha Frere-Jones |

‘It Was A Dream’: the artist shares a selection of her favourite tracks

BY ANOHNI |

After a seven-year hiatus, the artist returns this summer with a startling new album of ‘true feelings’

BY Andrew Durbin |

On the occasion of her show at the Guggenheim Museum, the artist discusses how shifts in scale and juxtaposition reflect an experience of time

BY Erika Balsom AND Sarah Sze |

On the occasion of his new book Catastrophe Time!, Gary Zhexi Zhang questions how we make sense of our era when history seems to speed by us

BY Gary Zhexi Zhang |

Ahead of a survey opening at MUDAM Luxembourg in May, the artist speaks about her pioneering practice bridging photography and experimental book forms

BY Vanessa Peterson AND Dayanita Singh |

How the artists’ solo works confront difficult realities in the wake of their collaborative venture, Circular File

BY Brian Droitcour |

In ‘Time Clock Piece’ the artist punched a time clock every hour for a year, capturing the synchronicity of ‘life time’ and ‘art time’

BY Vivian L. Huang |

At the Museum of Applied Arts, Vienna, the artist’s recent works explore the politics of human production and consumption

BY Krzysztof Kościuczuk |

At Fotomuseum Winterthur, ‘Aphasia’ addresses the barriers that the dominance of the French language imposes on civic participation

BY Ann Mbuti |

In the artist’s hometown of Mumbai, the Jehangir Nicholson Art Foundation presents a survey of her work contextualized within the broader artistic community of post-independence India

BY Emilia Terracciano |

At Noah Klink, Berlin, the artist’s dog paintings are disarmingly joyful depictions of human-animal relationships

BY Kito Nedo |

At Gallery Baton, Seoul, the artist presents new paintings that are an analogue take on the LED installations for which he is best known

BY SooJin Lee |

At Luhring Augustine, New York, the sculptor's embalmed everyday objects memorialize both personal and collective transformation

BY Rebecca Rose Cuomo |

At M HKA, Museum of Contemporary Art Antwerp, the artist’s career retrospective takes influence from Gloria E. Anzaldúa and James Joyce

BY Laura Herman |

At Pinacoteca de Estado, São Paulo, the artist toes the fragile line between language, bodies and the environment

BY Ela Bittencourt |