Martha Rosler

Q: What do you like the look of? A: ‘Looks aren't everything.’

A rare, newly-published interview with the late October editor, reveals an art critic intent on changing the terms of the debate

From Jenny Holzer to the Ferguson protests, the filmmaker shares some important images ahead of her show at Ryan Lee

Galerie Nagel Draxler, Berlin, Germany

Martha Rosler, surface/support (2005). Commissioned and produced by Frieze Projects 2005. Photo by Polly Braden

Rosler's tour of the support structures that make the fair workable – cafés, toilets, cloakrooms, security and construction – as well as the people who work there

Michael Baers, Concerning Matters to Be Left for  a Later Date, Part 4, 2009, pen and ink on paper, 30 × 42 cm

Arratia Beer, Berlin, Germany

Todd Eberle, (Untitled) IBM 1620 Data Processing System, 1968, 1999, photograph. Courtesy: © Todd Eberle

Algorithms, Big Data and surveillance: what’s the response, and responsibility, of art?