Max Andrews

The challenges faced by the Institut Valencià d’Art Modern have involved a form of firefighting that many museums outside of capital cities seem in thrall to

By Max Andrews

At Bombas Gens, Valencia, a retrospective of the terrestrial geographies of the overlooked painter

By Max Andrews

Domènec’s show at adn galeria, Barcelona looks to the fraught legacies of Spain’s mass communal housing

By Max Andrews

‘Released following the musician’s death in 1993, the album is an extraordinary swan song: morose, comical and utterly preposterous’

By Max Andrews

A survey exhibition at LUMA Arles captures the history of mechanically-reproduced imagery from the 19th century to the present

By Max Andrews

Two exhibitions in Barcelona and Sabadell explore the artist’s ever-changing styles and painterly references

By Max Andrews

On the Spanish artist’s magmatic morphologies, currently on view at Haus der Kunst, Munich, and Matadero, Madrid

By Max Andrews

At Centro de Arte Dos de Mayo, Móstoles, a crepuscular glow lends acute poignancy to simple forms and materials   

By Max Andrews

The artist explores the politics of the female voice that speaks out, or is shut up, at àngels barcelona, Spain

By Max Andrews

At La Panacée, Montpellier, Nicolas Bourriaud’s manifesto for a new movement and attempt to demarcate an artistic peer group

By Max Andrews
Adrià Julià, ‘Hot Iron’, 2016-17, installation view, Espai 13, Fundació Joan Miró. Courtesy: Fundació Joan Miró, Barcelona; photograph: Pere Pratdesaba

Espai 13, Fundació Joan Miró, Barcelona

By Max Andrews

How open are open calls? 

By Max Andrews