Emily Jacir, AP 3852 from ex libris, 2014,  painted mural, 7 × 15 m. Courtesy Alexander and Bonin, New York; photograph: Joerg Lohse

From Hans Haacke’s 1993 exhibition ‘Germania’ through the works of the Palestinian writers Mahmoud Darwish and Wael Zuaiter to the films of Francesco Rosi and Jim Jarmus

By Kaelen Wilson-Goldie
Chim↑Pom, The History of Humans,  2015, performance documentation. All images courtesy the artists and MUJIN-TO  Production, Tokyo

The provocative works of the Japanese collective Chim↑Pom

Award-winning novelist Ali Smith responds to Sonia Delaunay's joyful and 'simultaneous' approach to life, art and design

By Ali Smith
Life Sentences, 2014, bronze, 43 × 106 × 13 cm. All images courtesy the artist & Michael Werner, New York and London

Brian Dillon considers the 'monstrous homunculi' of Enrico David

By Brian Dillon
Blue Rug Still Life, 2014 oil and acrylic on canvas, 2.7 × 2.6 m. All images courtesy the artist, David Kordansky Gallery, Los Angeles, Anton Kern Gallery, New York, Shane Campbell Gallery, Chicago, and Gagosian Gallery

Art history meets domestic life in the paintings of Jonas Wood

By Ian Chang
Counting, 2015,  HD video still. Courtesy: the artist and Cinema Guild

25 years of Jem Cohen’s free-wheeling cinema

By Isabel Stevens
Homage to Howard Phillips Lovecraft, 2015, earth, wood and  brass, housing a concealed iron box containing undisclosed objects, 2.7 × 1.8 × 1.4 m. Courtesy: the artist, Fondazione MAXXI, Rome, and Galleria  Franco Noero, Turin; photograph: Musacchio Ianniell

Lara Favaretto: exploring the nuances of death and disappearance

By Barbara Casavecchia
Newz!, 2015,  gouache on canvas, 1.1 × 1.1 m. All images courtesy Overduin & Co., Los Angeles; photographs: Brian Forrest

Puns, pictograms and props in the work of Math Bass

By Dan Fox
Musée du Echnaton (Afrika), 1976, Installationansicht, Atelier des Künstlers, Köln (courtesy: VG Bild-Kunst, Bonn & Michael Buthe Estate, Köln)

A look back at the extraordinary work of Michael Buthe

By Dominikus Müller

On the occasion of his two surveys in Amsterdam and Berlin, two variations on Tino Sehgal

By Jörg Heiser
Barnett Newman, Cathedra, 1951, Öl auf Leinwand

On the occasion of his two surveys in Amsterdam and Berlin, two variations on Tino Sehgal

By Oscar van den Boogaard
Der Tag ohne Gestern (Detail), 2014, Kortenstahl, Wecker (Alle Bilder courtesy die Künstlerin & Johann König, Berlin; Fotografien: © Roman März, Berlin)

Alicja Kwade’s drama of elemental forces

By Elvia Wilk