Munich

Showing results 1-19 of 19

At Lenbachhaus, Munich, the artist’s survey exhibition quickly shifts from utopia to dystopia

BY Emily McDermott |

At Kunstverein München, a new film by the artist explores the use of aerial photography as propaganda during the National Socialist Regime

BY Gabriela Acha |

For the opening week of Various Others, here are five unmissable exhibitions to see this autumn

BY Chloe Stead |

At Deborah Schamoni, Munich, the artist’s sparse installations use absence and the banal trappings of domesticity to talk about getting ‘turned on’

BY Camila McHugh |

With a new show, ‘Paradise Edict’ at the Haus der Kunst, Munich, Jane Ure-Smith chats to the artist about his influences and the power parallels between modern politics and historic Christian art

BY Jane Ure-Smith AND Michael Armitage |

As the third edition of Various Others kicks off, Carina Bukuts selects the exhibitions not to miss

BY Carina Bukuts |

The artist’s exhibition at Haus der Kunst, Munich, examines empirical uncertainty and political disillusionment 

BY Hanno Hauenstein |

Wandering Munich with the graphic designer Anna Lena von Helldorff, the author wonders what it means when time constantly overtakes us

BY Heike Geissler |

An epochal exhibition of the Ghanaian artist – the last curated by Okwui Enwezor – gives the Munich institution a new face

BY Jane Ure-Smith |

‘She was working on a theory of everything’: on the extraordinary life and work of Swiss visionary Emma Kunz, now at London’s Serpentine Gallery

BY Agnieszka Brzeżańska |

The brainchild of a cohort of next-gen galleries, the Various Others initiative is an attempt to rejuvenate the city’s image

BY Kristian Vistrup Madsen |

‘No one is born a feminist but, if nothing else makes us so beforehand, our working environments will’

BY Patrizia Dander |

A retrospective at Munich’s Museum Brandhorst charts the artist’s career from the 1980s to the present, from ‘fem-trash’ figures to abstract forms

BY Daniela Stöppel |

Spectral lone female figures pose and recline in a series of nebulous paintings on view at Galerie Rüdiger Schöttle, Munich

BY Saim Demircan |

Prince of Wales, Munich, Germany

BY Daniela Stöppel |

The printed page as exhibition space

BY Saim Demircan |

Haus der Kunst, Munich, Germany

BY Quinn Latimer |