Majoli’s historical subjects couldn’t have known that the community for which they became sex symbols would soon be marked with a valedictory contingency – annihilation
The artist’s work captures what it feels like to see your own body on the floor, in pieces, and how that might be the only way to survive having survived
It’s tempting to read Haacke’s longstanding work of institutional critique as prescient. In fact, he’s been an astute observer for long enough to know that current scrutiny of museum ethics is well overdue
In Buffalo, the artist Marlene McCarty has planted a toxic garden that draws on the area’s intertwined histories of capitalism, expropriation and utopian dreaming