Opinion

If artificial intelligence were ever to achieve sentience, could it feasibly produce art? (And would it be good?)

Nods to the game in World Cup celebrations show how dance has gone viral – but unwittingly instrumentalized for commercial interests

A number of exhibitions in London explore how contemporary technologies and lifestyles are changing the architecture of the home

‘You can’t reason with him but you can ridicule him’ – lightweight as it is, Trump Baby is a win for art as a legitimate form of protest

Now open to the public, the prison, modelled on Bentham’s panopticon, gives insight into the tumultuous history of working class uprisings

Can a ragtag cluster of artists, curators and critics really push back against our ‘bare’ art world?

Is the lack of social mobility in the arts due to a self-congratulatory conviction that the sector represents the solution rather than the problem?

The controversial intellectual suggests art would be better done at home – she should be careful what she wishes for

Previously unheard music on Both Directions At Once includes blues as imposing as the saxophonist would ever record

In our devotion to computation and its predictive capabilities are we rushing blindly towards our own demise?

Sir Simon Rattle and the LSO bring Stockhausen’s Gruppen für drei Orchester to the Tate’s cavernous space, 50 years after its London debut

After a year’s hiatus, Birmingham’s best-known art space is back to celebrate its 10th anniversary, but its long-term future in Digbeth is unclear

An art historian explains what the Carters’s takeover of the Paris museum says about art, race and power

In ‘Décor’ at MOCA's Pacific Design Center, Barbara Bloom, Andrea Fraser and Louise Lawler unpick the etiquettes of the gallery space

Artist Andrea Fraser’s 2016 in Museums, Money and Politics lifts the lid on US museum board members and political funding

The Baltimore’s director on why correcting the art historical canon is not only right but urgent for museums to remain relevant

Presented at the Rubin Museum, New York, can art offer a way of viewing nature as an actor in its own right?

Alumni Martin Boyce, Karla Black, Duncan Campbell and Ciara Phillips on the past and future of Charles Rennie Mackintosh’s iconic building

Decoding the First Lady’s off-brand fashion choice

With a republished collection of her writing by David Zwirner Books, the Italophile critic is shown to be as dangerous and uncanny as she is intelligent