Opinion

At the Serpentine Marathon, artists and scientists considered AI, paranoia and the supernatural in an age of machine learning

Philip Guston's 'Klan' paintings are more relevant than ever

Transcending the sentimental falsehood that makes nostalgia problematic, on David Simon’s 1970s New York drama

Nearly three hours long and containing only two jokes, with this film somehow you don’t mind

Are ‘collaborative exhibitions’ the future for galleries?

The controversy over the Guggenheim’s ‘Art and China after 1989’ show highlights animal rights activists as one of art’s most ‘engaged’ audiences

From a close study of the American voting booth to a plague of hydrangeas: the New York Film Festival’s Projections slate, 6-9 October

In Thomas Ruff’s retrospective at London’s Whitechapel Gallery, raw scientific information becomes aesthetic expression

Searching for the appropriate in appropriation

The telling literalism in Western reviews of China’s summer blockbuster hit

The winner of this year's Palme d'Or is a fictionalized portrait of contemporary culture's new villain: the curator 

Paying tribute to W.G. Sebald’s literature of memory and loss, two decades after his lectures on the Allied fire-bombing of German cities

On the benefits of not knowing 

Each piece of protest art picturing Trump is a joke arisen from shallow trauma

Should Trump have won an Emmy?

Dave Chappelle's comedy of discomfort 

From Stravinsky in a car park to concerts in living rooms, how is classical music culture changing? 

From artist Enoch Cheng’s nocturnal balletics to fascist violence in Charlottesville, rethinking the political agency of walking

Queer cringe at the BBC and other diversity dilemmas

How can art and literature respond to disaster?