Opinion

Showing results 121-140 of 704

From Boudicca to the French revolution’s cockades, brooches have always been used to convey politically-charged messages

BY Amber Butchart |

Should we be enjoying ourselves as the world goes to hell in a handcart?

BY Jörg Heiser |

In a new collection, the author of ‘Visual Pleasure and Narrative Cinema’ updates her approach to feminism and psychoanalysis 

BY Erika Balsom |

The results, which veer from the weird to the outright racist, draw attention to the bias of machine learning

BY Orit Gat |

Cash-strapped schools in deprived areas across the UK have been particularly hard hit by the shift away from the arts

BY Chris Sharratt |

Part carbon-neutral generator, part contemporary art centre, E-Werk Luckenwalde provides clean energy and affordable studio space

BY Harry Thorne |

Although a country-rap track was crowned 2019’s ‘song of the summer’, music released during this season usually consists of recycled pop sounds

BY Aida Amoako |

As the playwright’s ‘Slave Play’ reaches a wider audience, Jameson Fitzpatrick looks at his work so far

BY Jameson Fitzpatrick |

Activists aim to whip up protest as weapons buyers flock to the Defence and Security Equipment International trade show

BY Sophie Ruigrok |

A new book wants to understand the individuals – and identities – beneath the ‘somewhat derogatory label’

BY Juliet Jacques |

After the announced withdrawal of the controversial extradition bill, artists and cultural workers are amongst those keeping the protest movement alive

BY Hera Chan |

As the full communications blackout enters one month, we must take action – not only to declare solidarity but to profoundly critique the times we live in

BY Skye Arundhati Thomas |

How conservation efforts can end up fictionalizing history

BY Hanno Hauenstein |

Ahead of eastern Germany’s elections, Philipp Oswalt, the former director of the Bauhaus Foundation, on today’s right-wing intervention into historical architecture

BY Philipp Oswalt |

There is a serious gap in curatorial knowledge when it comes to both showing the work of disabled artists and ensuring accessibility in galleries

BY Chris Sharratt |

From Louis XIV to #foodporn, feasting has always been for the eyes

BY Fanny Singer |

How dystopian literature influenced the meal replacement industry

BY Chris Fite-Wassilak |

From The Wicker Man to Ari Aster’s latest film, joyful sounds can reveal the darkest worlds

BY Adam Harper |

Reckoning with the legacy of Jim Harrison, whose writing portrayed women like meals – meant to give pleasure and comfort, without having any hunger themselves

BY Julia Langbein |

A visa application system which is often opaque, bureaucratic and racist – exacerbated by the prospect of a no-deal Brexit – is becoming a headache for art workers

BY Chris Sharratt |