I cut my skin to liberate the splinter evokes the dissonance and precarity of post-apartheid South Africa
Featuring a proposal for a circular motorway around a mountain peak, the ‘weird and absurd’ work of the Russia-based artist
Friday 5 October at 4:30pm
At the National Theatre of Wales, a performance alive with wild, tactile descriptions compels comparison between the eczema-sufferer and writer
Commemorating the 100th anniversary of WWI, The Head & The Load at Tate Modern makes incomprehension the work’s guiding theme
With work in the Liverpool Biennial and ICA Philadelphia, the Seoul-based artist reanimates an ancient Korean musical system
Nods to the game in World Cup celebrations show how dance has gone viral – but unwittingly instrumentalized for commercial interests
Watching Sharon Hayes and Evan Ifekoya pay homage to the late artist at Camden Arts Centre and remembering his ‘structured anarchy’
An exhibition of performances at Foksal Gallery Foundation, Warsaw, unfolds the rituals of sexual encounters
With a new performance work for Manifesta 12 in Palermo, the Amsterdam-based artist explores a state of continuous partial attention
In a climate of perma-outrage has live art self-censored to live entertainment?
Post-Grenfell, mid-Windrush and pre-Brexit, a day-long forum in London invited artists and organizations to re-imagine the communities we live in
