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A tribute to the late curator and his belief in the primacy of documentation

BY Osei Bonsu |

In the artist’s exhibition at Centre Pompidou, materials are laced with humour and sexual innuendo

BY Wilson Tarbox |

Sound and light as means of order and control melt into signifiers of rebellion and counter-culture in Rodeh’s immersive installations

BY Hili Perlson |

A musician with a rare ability to write both great pop songs and deeply experimental and melancholy music

BY Juliet Jacques |

From Myspace aesthetics to Backpack Kid, entering London’s narrative projects feels like stumbling into an online echo chamber

BY Mimi Chu |

Looking back at the intimate musical language of Luc Ferrari (1929-2005), who employed cinematic methods in the service of quotidian storytelling

BY Nathan Geyer |

Hiller’s discomfort towards dominant narratives made her look at all sorts of suppressed subjects, from outlaw cowgirls to protest songs

BY Barbara Casavecchia |

The artist’s films at Camden Arts Centre evoke anxiety in the face of world events and the tenderness of collective living

BY Ellen Mara De Wachter |

Workshopping a new book project at Porto/Post/Doc, the theorist and filmmaker who diagnosed how Hollywood reinforced patriarchal codes

BY Ela Bittencourt |

The artist’s sculpture possessed an almost surreal promise, as if at any moment it might become a Really Living Thing

BY Andrew Durbin |

‘Cinematic’ is often overused, but Roeg’s films showed how minds and memories wander back and forth in time, colouring our experience of the world

BY Dan Fox |

With a show opening at Hollybush Gardens tomorrow, the artist discusses her career addressing social and political issues through performance
 

BY Isobel Harbison |

Honey is an antidote to the norms of pop music today; a salve for the increasingly quick-hitting hooks of the streaming era

BY Liz Pelly |

Exotic flora and tentative ‘Afronauts’ speak to a sense of alienation, but throughout the artist’s work runs a current of optimism 

BY Ian Bourland |

The Athens-based artist discusses how desire figures in her new film, the relationship between writing and images and the influence her home city has on her practice

BY Quinn Latimer |

With a show at The Bronx Museum of the Arts, disguise, diasporic identity and dolphins collide in the New York-based artist’s work

BY Hera Chan |

For more than 50 years, the artist has used conceptual art to examine the inherently political nature of information

BY Pablo Larios |

For 112 days Sara Morawetz retraced the 2,000 kilometre journey of two 18th century astronomers, tasked with defining the length of a metre

BY Tom Jeffreys |

Showing at Istanbul’s Protocinema, the artist’s new film uses the ancient site of Çatalhöyük to investigate a community and its collapse

BY Barbara Casavecchia |

Featuring a proposal for a circular motorway around a mountain peak, the ‘weird and absurd’ work of the Russia-based artist

BY Tom Jeffreys |