Review

Showing results 241-260 of 2142

The artist’s stuttering videos, on view at Freedman Fitzpatrick, challenge conventional notions of artistic authorship and circulation

BY Olivian Cha |

Kilimnik’s subjects are nearly always brutal – murder, empire, war – and just as often delivered with a practiced detachment

BY Travis Diehl |

A new gallery, dieFirma, opens in Cooper Square, New York, with an important presentation of an overlooked artist whose work spanned furniture to flowers

BY Glenn Adamson |

Sex, myth and history entwine in a display of the artist’s sketches, photographs and ephemera

BY Wong Binghao |

An emporium of new-age junk and legal highs debases Marlborough London’s exhibition space

 

BY Daniel Culpan |

The most famous painter in the US finally receives art world recognition

BY Ian Bourland |

A new film documenting the destruction of an east London community centre drills into the deformation of Muslim subjects by the state

BY Marek Sullivan |

From colonization to industrialization, the exhibition tackles complex local issues with international ambition 

BY David Balzer |

In the first show dedicated to the artist’s portraits, a narcissistic personality emerges

BY Chloë Ashby |

The artist’s fantastical sculptures and bas reliefs, on view at Lisson, New York, combine prehistoric creatures with oil barons and kings

BY Murtaza Vali |

Drones, 1980s synth-pop and a giant chess board turn the show into a game whose rules are never quite clear

BY Mimi Chu |

In the third edition of the biennial, progressive politics and BP sponsorship underscore the tensions between discourse and direct action 

BY Minh Nguyen |

An exhibition at Galerie Thaddaeus Ropac, London, unveils the surrealist undercurrents of 1960s pop 

BY Alex Estorick |

The ‘lost’ record captures the saxophonist at a time when he was thinking that albums could aspire to be something grander than a string of loosely woven tunes

BY Philip Clark |

The studio’s first exhibition in Europe explores the politics of shapeshifting

BY Sonja-Maria Borstner |

In a new show, Sze pairs precision with nods to disassembly or messy composition

BY Rainer Diana Hamilton |

His ‘brutalist dollhouses’ invite viewers into the void ‘in the friendliest manner’ 

BY Robert Glück |

At the Nasher Sculpture Center, Dallas, the artists’ first US museum survey traces their slick, satirical and sentimental practice

BY Grant Klarich Johnson |

Works by the legendary New York gallerist and early champion of Abstract Expressionism go on show in London

BY Zoe Pilger |
PREV 13 / 108 NEXT