Reviews from around the world

The eighth edition makes novel use of cacophony, disorientation and deferred gratification

Two videos at Gladstone Gallery, Seoul displace their viewers into the role of aides to the algorithm

A Cape Town retrospective showcases the diverse accomplishments of an artist whose Ndebele-inspired graphical style led to collaborations with BMW and Comme Des Garçons

Despite a lackluster inaugural exhibition, Hampi Art Labs shows promise as a revitalizing institution in the region

In a new body of work, the artist proposes a voice that blurs artificial intelligence and liveness

A group exhibition at Tai Kwun Contemporary in Hong Kong argues for feminist-ecological consciousness as a mode of resisting colonial oppression

Across five installations at Ateneo Art Gallery in Manila, the artist inflects national history with personal history

At Selma Feriani, Tunis, the artist uses the ruins of the ancient city of Carthage to find connections between the past and the present

Assembled by an all-Thai curatorial team, the third Thailand Biennale brilliantly exhibits the rich cultural milieu of the country’s Golden Triangle, near Laos and Myanmar

At STPI Creative Workshop & Gallery, a modest survey of the artist reflects on how we share and absorb information and knowledge

An exhibition in Toyko sees the artist engage one of the earliest forms of photography to capture quiet, almost apparitional, landscapes

At Jameel Arts Center, Dubai, a group show examines the role of hospitality in the UAE and the wider Gulf region

At Gypsum, Cairo, the artist’s new series shows the ease with which art is turned into a decorative commodity

At The Treehouse, Lagos, the artist evokes the Yoruba concept of àse into visions of men enacting rituals in dialogue with unseen gods

A public exhibition at the Pyramids of Giza offers sun, sand and monumental landscapes with a dash of Burning Man

At Green Art Gallery, Dubai, a group exhibition underscores the significance of textile art and its ability to weave together a narrative of meaning

Multi-media sculptures and a video work installed at the Leeum Museum of Art, Seoul, create a playfully immersive environment

At P21, Seoul, a group show of intimate mixed media works draws on Byung-Chul Han’s revolutionary The Agony of Eros (2017)

At Darat Al Funun, Amman, the artist uses abstraction to address troubled histories

At Museum MACAN, Jakarta, the artists’ large-scale installations made of discarded objects capture the emotional resonances of overlooked communities