Reviews from around the world

At Gypsum, Cairo, the artist’s new series shows the ease with which art is turned into a decorative commodity

At The Treehouse, Lagos, the artist evokes the Yoruba concept of àse into visions of men enacting rituals in dialogue with unseen gods

A public exhibition at the Pyramids of Giza offers sun, sand and monumental landscapes with a dash of Burning Man

At Green Art Gallery, Dubai, a group exhibition underscores the significance of textile art and its ability to weave together a narrative of meaning

Multi-media sculptures and a video work installed at the Leeum Museum of Art, Seoul, create a playfully immersive environment

At P21, Seoul, a group show of intimate mixed media works draws on Byung-Chul Han’s revolutionary The Agony of Eros (2017)

At Darat Al Funun, Amman, the artist uses abstraction to address troubled histories

At Museum MACAN, Jakarta, the artists’ large-scale installations made of discarded objects capture the emotional resonances of overlooked communities

An exhibition of video work at MoCA Taipei highlights the affinities between the regions but also the logistical hurdles that prevent full reciprocal exchange

Created as a memorial to suffering, this year’s iteration sees a shift in both the exhibition and the city toward a new historiography

At the Australian Centre for Contemporary Art, Naarm/Melbourne, the artist’s videos, drawings and found objects engage subversive wordplay and internet culture to undermine gendered, racialized and colonial institutions

At Galeria Luisa Strina, São Paulo, the artist recontextualizes artifacts from the country’s colonial and religious past

The artist’s survey exhibition at Tel Aviv Museum of Art paints a nuanced picture of a life of itinerant creative production

At MOCA Toronto, the artist presents research-driven sculptures and installations that explore relationships of mutual care and harm between humans and the environment

Despite good intentions, a polyvocal exhibition at MACAAL, Marrakesh, reaffirms the Malagasy artist as the star of the show

At Arario Gallery, Seoul, new and reformulated installations and photographs by the artist track the non-meaning generated by financial markets

At PHD Group, Hong Kong, the artist mourns her mother through sensorial installations that incorporate personal detritus

In the artist’s hometown of Mumbai, the Jehangir Nicholson Art Foundation presents a survey of her work contextualized within the broader artistic community of post-independence India

At Gallery Baton, Seoul, the artist presents new paintings that are an analogue take on the LED installations for which he is best known

At Nubuke Foundation, Accra, the artist’s mysterious paintings are laced with historical references and religious iconography