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Sarah Lucas

‘It encourages you to ponder its exalted lineage while taking the piss out of you for doing so’

By Caoimhín Mac Giolla Léith

Mexico City

17 Mar
5 May

kurimanzutto, Mexico City, Mexico

By Evan Moffitt

Galerie Patrick Seguin, Paris, France

By Emmie Francis

Dan Fox explores the complication of class in the art world

By Dan Fox

To celebrate frieze’s quarter century, the editors choose 25 key artworks: one for each year of the magazine’s existence

A round-up of the best shows and events on in the city this week

By Barbara Casavecchia
Sarah Lucas, Mumum, 2012, installation view

Palazzo Reale, Milan, Italy

By Christy Lange
Tit Teddy Rohan, 2013, pantyhose, fluff, steel wire, 95 × 57 × 25 cm

Novelist Sarah Hall talks to Sarah Lucas about sculpture, sexual politics and representing Britain at the Venice Biennale

2013 Carnegie International, Exhibition view, foreground: sculptures by Sarah Lucas; background: paintings by Henry Taylor

Carnegie Museum of Art, Pittsburgh, USA

By Dan Fox
BANK, Stop short-changing us. Popular culture is for idiots. We believe in ART., 1998, silkscreen on photocopy, 120 × 86 cm. Courtesy: BANK and MOT International, London and Brussels

British art and the 1990s

By Dan Fox

Q. What was the first piece of art that really mattered to you? A. I'm not making art about art. I didn't buy a ticket.

By Sarah Lucas