Vienna

Showing results 21-40 of 64

At Layr, Vienna, the artist’s new video works put a group of men under a scrupulous yet intimate examination

BY Miriam Stoney |

Laden with scenes of sex, the artist's new paintings at Croy Nielsen, Vienna, test the border of the disturbing

BY Krzysztof Kościuczuk |

At Mumok, Vienna, the artist uses the elephant as a symbol for the human cost of the textile industry in Taiwan

BY Francesca Gavin |

On view at Kunstverein Gartenhaus, Vienna, the artist’s emotive, fragmentary films shift the locus of desire with feminist determination

BY Francesca Gavin |

At LAYR, Vienna, the Bahamian artist’s hazy horse paintings focus on interspecies relationships within a personal and historical context

BY Francesca Gavin |

At Gianni Manhattan, Vienna, the artist presents a dystopian future in which water has dried out and technology has failed us

BY Francesca Gavin |

At Felix Gaudlitz, Vienna, a series of photographs by the French novelist beautifully captures the notion of intimacy

BY Max L. Feldman |

At Galerie Kandlhofer, Vienna, the artist reflects on the politics that dictate which lives matter

BY Eric Otieno Sumba |

Steven Zultanski on the Chicago-based cult video artist

BY Steven Zultanski |

At Sophie Tappeiner, Vienna, the artist highlights the ways in which Kurdish culture is expressed at the intersection of myth and reality

BY Tom Hastings |

An exhibition at Croy Nielsen, Vienna, explores the female gaze on a world which seems murkier than ever

BY Kimberly Bradley |

At Galerie Martin Janda, Vienna, the artist asks: what does communal political action look like today?

BY Max L. Feldman |

From imperial jewels to a miniature sarcophagus, this chamber of curiosities at the Kunsthistorisches Museum mixes fastidiousness with kitsch

BY Max L. Feldman |

The collection of ivory and lacquer Japanese miniatures, which survived Nazi looting, will be loaned to the Jewish Museum

In her first solo show at Croy Nielsen, Vienna, the artist’s suspended delicate metal formations create a tension that vibrates with possibility

BY Kimberly Bradley |

In her first Vienna solo, the artist blends understated textures, austere tones and bold gestures to a satisfying, yet elusive, effect

BY Max L. Feldman |

Katharina Cibulka has stitched ‘As long as the art market is a boys’ club, I will be a feminist,’ across her alma mater’s facade

Anderson and partner Juman Malouf are sorting through the treasures of the celebrated Kunsthistorisches Museum for their first show

Kimberly Bradley speaks to ‘the German’ curator on the reasons for his early exit from the Austrian institution

Two brilliant shows at mumok and Galerie Elisabeth & Klaus Thoman, Vienna, revive the late artist’s surreal visions

BY Jennifer Higgie |