Features

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Recent rereleases from new-age music's 1970s and '80s heyday speak to current social anxieties

BY Nathaniel Budzinski |

How Colleen Asper's paintings challenge traditional representations of the body

BY Jennifer Kabat |

How Eduardo Navarro's works retrain the senses

BY Sarah Demeuse |

Samson Young's multidisciplinary work confronts the ways in which sound can both transcend borders and enforce them

BY Peter Meanwell |

The quietly violent works of Alexandra Bircken

BY Amy Sherlock |

The derelict Croydon airport, Batman as a sainted figure, and a potential new work: a road movie going nowhere

BY Jesse Darling |

A report from this weekend's Women's March on Washington D.C.

BY Dushko Petrovich |

A night within the walls of Pasaquan, the mystical compound of St. EOM

BY Daniel Fuller |

Tom Overton reflects on the life of a great storyteller with contributions on his art criticism, broadcasting and fiction

BY Tom Overton |

Five young artists exploring queerness, disability, the standardization of bodies and the politics of visibility

BY Dodie Bellamy |

Ian White, Anne Imhof and Jason Dodge, our Berlin-based contributing editor’s picks of the year

Zaha Hadid, SFMOMA, Tate Switch House and London’s Design Museum: the highs and lows of the year in architecture

BY Oliver Wainwright |

A look back at the year that gave us Mark Greif’s Against Everything and David Bowie's final act

BY Ben Eastham |

From Indonesia to Hong Kong to Taiwan, the year’s memorable shows and projects in South East Asia

BY Cristina Sanchez-Kozyreva |

A history of underground Black publishing, from W.E.B. Du Bois to #BlackLivesMatter

BY Ian Bourland |

From Berlin to Beirut; from attacks on arts spaces to the birth of a daughter: the year in review

BY Kaelen Wilson-Goldie |

The rise of Shanghai and the sad passing of Chen Shaoxiong

BY Colin Siyuan Chinnery |

The best of this year's LA shows, featuring Nathaniel Mellors and a survey at the newly opened Hauser Wirth & Schimmel

BY Jonathan Griffin |

The winner of the 2016 Turner Prize responds to Laura Owens's painterly nets and fences

BY Helen Marten |

From Michael Gove to Mary Hurrell to Orange is The New Black, the year in review

BY Brian Dillon |