Features

Showing results 561-580 of 1567

What’s behind the proliferation of animals in recent artworks?

BY Ana Teixeira Pinto |

The multiple registers and references in the work of Haegue Yang

BY Kito Nedo |

An afternoon with Walter Pfeiffer

BY Jan Kedves |

From the functional to the slyly fashionable: the two sides to Stefan Kern

BY Andreas Schlaegel |

Pure Imagination

BY Pablo Larios |

Hot metals and cool minimalism: the transformative processes of Raphael Hefti

BY Quinn Latimer |

Relating bodily sensations to virtual spaces in the photographs of Lucas Blalock

BY Brian Sholis |

Jennifer Higgie on the bewildered mystics, mournful minstrels and mysterious rituals of Ryan Mosley’s paintings

BY Jennifer Higgie |

Working for the man, or machine

BY Vivian Sky Rehberg |

Gideon Lewis-Kraus traces the transcontinental journeys of Brazilian artist Paolo Nazareth

BY Gideon Lewis-Kraus |

Mining the traditions of the political cartoon

BY Shanay Jhaveri |

Ida Ekblad talks to Zoe Pilger about painting, drifting, emptiness and energy

BY Zoe Pilger |

Containers, collaboration and perception

BY Matthew McLean |

The memory and lifespan of objects

BY Colin Perry |

Simon Ling and plein-air painting in east London

BY Josephine New |

In recent years, abstract painting has experienced both a new popularity and a critical backlash. Can it be written off as ‘zombie formalism’ or are innovative approaches to abstraction really being developed?

BY David Geers |

Social division and artistic engagement in the work of Mohamed Bourouissa

BY Vivian Sky Rehberg |

Being betrayed by the body