Features

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Henry Flynt talks about half a century’s worth of wildly divergent activities

BY Ross Simonini |

Disorientating interiors and invented spaces

BY Jonathan Griffin |

The films of Albert Serra

BY Bert Rebhandl |

Phantoms and immaterial labour in the films of Agnieszka Kurant

BY Agnieszka Gratza |

A post-Bauhaus approach to transforming public and private spaces

BY Kito Nedo |

The act of writing and the ‘shadowy constitution of authorship’

BY Kaelen Wilson-Goldie |

Holly Bynoe, Charles Campbell, Amanda Coulson, John Cox, Annalee Davis and Caryl Ivrisse-Crochemar on the role of contemporary art in the Caribbean

BY Dan Fox |

Did Philip K. Dick predict the future of surveillance?

BY Andrew Hultkrans |

The art of tiny revelations

BY Jennifer Kabat |

With the sad news of Stanley Brouwn's passing, aged 81, we revisit our feature on the elusive artist

BY Oscar van den Boogaard |

Soap-opera small talk and speech as a gesture

BY Amy Sherlock |

Useful mistakes, ikebana and messy cultural assumptions in the work of Camille Henrot

BY Dan Fox |

Human bodies versus computer-based interfaces

BY Karen Archey |

GIFS as readymades; finding inspiration in Hollywood film

BY Paul Teasdale |

Oliver Laric uses memes, movable type, copies and collective agency to make art that is only partly ‘his'

BY Pablo Larios |

Algorithms, Big Data and surveillance: what’s the response, and responsibility, of art? Jörg Heiser asked seven artists, writers and academics to reflect.

BY Jörg Heiser |

American comics, Russian Suprematism and German philosophy: welcome to the world of Andy Hope 1930

BY John C. Welchman |

Social streaming

BY Kito Nedo |

An essay by Brigitte Kölle on the crucial but overlooked role of Konrad Fischer and other Rhineland and Benelux gallerists who brought Conceptual art to Europe

BY Brigitte Kölle |