frieze magazine

Issue 193

March 2018

Once dubbed ‘the world’s factory floor’, Shenzhen has re-invented itself as a centre of innovation 

The Met Breuer, New York, USA

Hauser & Wirth, New York, USA

The artist Simon Starling photographs Giorgio Griffa’s studio in Turin

Why have women been written out of internet history?

Jace Clayton interviews Arthur Jafa about the politics of filmmaking, ‘black sites’ and learning how to surprise himself

Eileen Myles’s new memoir of her dog has much to say about being human

A series of ‘magical transformations’: Tacita Dean’s new work launches across three institutions in London

Naeem Mohaiemen’s films reflect on recent histories of the global radical Left

What accounts for the enduring appeal of Germany’s cult experimental author Hubert Fichte? 

What makes a commercial exhibition 'museum quality' 

How artist-led activism is shaping the construction of Chinatowns in the US