Released today on Semiotext(e), Holy Shit’s album Solid Rain gets nostalgic for the freewheeling creativity of a pre-gentrification LA
From why its good to repeat jokes to how to keep it impersonal: what to read about this weekend
This year’s prize, judged by Ed Atkins, Chris Kraus and Pablo Larios, is now open for entries
From Anthony Burgess being bitchy to a primer for Xenofeminism: what to read this weekend
On the art of Monika Baer
Andrew Durbin discusses the books that have influenced him
In our second video supported by Arts Council England, Matthew McLean considers what failed interviews might tell us about art criticism
Four decades of Semiotext(e)
Literature versus art history
