Chris Kraus

Ariel Pink and Matt Fishbeck perfroming at aFast Friends Inc. show, Los Angeles. Photograph: Eli Langer

Released today on Semiotext(e), Holy Shit’s album Solid Rain gets nostalgic for the freewheeling creativity of a pre-gentrification LA

Gill-Revue, Le Salon Pour Rire, 1868, lithograph. Courtesy: Chewday’s, London

From why its good to repeat jokes to how to keep it impersonal: what to read about this weekend

This year’s prize, judged by Ed Atkins, Chris Kraus and Pablo Larios, is now open for entries

Raúl Ruiz, City of Pirates, 1983, film still

From Anthony Burgess being bitchy to a primer for Xenofeminism: what to read this weekend

Untitled, 2015, oil on canvas, 250 x 220 cm. Courtesy: the artist, Galerie Barbara Weiss, Berlin and Greene Naftali, New York

On the art of Monika Baer

Gary Indianna, Three Month Fever

Andrew Durbin discusses the books that have influenced him

Interview - 05 Apr 2016

In our second video supported by Arts Council England, Matthew McLean considers what failed interviews might tell us about art criticism

Visual from the ‘Schizo-Culture’ conference, Columbia University,  New York, 1975

Four decades of Semiotext(e)

Henry Fuseli, The Nightmare, 1781. Courtesy: © 2013 Detroit Institute of Arts / The Bridgeman Art Library

Literature versus art history