EU Reviews

From Moki Cherry's feminist reimagining of family life to a captivating retrospective of the self-declared mystic James Lee Byars

At the Georg Kolbe Museum, Berlin, the artist’s zoological sculptures are fittingly paired with those of modernist sculptor Renée Sintenis

At Moderna Museet, Malmo, a homecoming retrospective dedicated to the artist struggles to convey her relational approach to creating

At Museion, Bolzano, 'HOPE' aims to stimulate individual and collective imaginations

At Kunstverein in Hamburg, the artist uses the format of the contract for a series of sculptural provocations

Two concurrent shows at Guggenheim Museum Bilbao and Museo Picasso Málaga appraising the artist’s legacy take a troubling tour through an ethical minefield

At the National Gallery of Art, Vilnius, the artists challenge dominant interpretations of wetlands as a hostile and undeveloped space

At Pirelli HangarBicocca, Milan, a retrospective dedicated to the eccentric artist showcases his all-consuming pursuit of perfection and beauty

By exploring moral ‘grey zones’, Graz’s annual festival dips into murky waters

From a group show at Fondation Pernod Ricard, Paris, exploring the marginalized and transient to Frank Sweeney’s 1970s bedroom at EVA International in Ireland

From Mamma Andersson's gothic paintings at David Zwirner to an examination of American mythologies at Bourse de Commerce

At WIELS in Brussels, the artists present a multimedia dystopia of disenchanted desires and endless searching

At Layr, Vienna, a group exhibition reminds viewers of the culture-crossing and nonconformist possibilities of artworks

​At Sprüth Magers, the artist visually renders our hackneyed vocabularies around anxiety and care

From Anri Sala’s marbled explorations of divine time at Galerie Chantal Crousel, Paris to the first show dedicated to Wanda Czełkowska outside of Poland

At neugerriemschneider, Berlin, an exhibition dedicated to the late dance composer’s notation system reveal the complexities of her ideas

At The National Gallery of Denmark, the artist’s retrospective interrogates the space between coloniser and colonized

The artist's murals at Galerie Chantal Crousel, Paris, repurpose elements of cloud vistas and early Renaissance frescoes

At Sant’Andrea De Scaphis, Rome, the artist instils an apparently bucolic setting with a sinister undertone

At Muzeum Susch, ‘Art Is Not Rest’ celebrates a singular artist who refused to be categorized