Galerie Buchholz

Moyra Davey, EM Copperheads, 2017, installation view at Galerie Buchholz, Cologne. 150 digital c-prints on fujicolor crystal archive paper, tape, postage, ink, each 31 x 46 cm, overall dimensions 2.7 x 7.6 m. Courtesy: the artist and Galerie Buchholz, Cologne/Berlin/New York

Galerie Buchholz, Cologne, Germany

By Moritz Scheper
Nairy Baghramian, Drawing Table (Homage to Jane Bowles), 2017,  installation view at EMST–National Museum of Contemporary Art, Athens, as part of documenta 14. Courtesy: the artist, Galerie Buchholz, Cologne/Berlin/New York, Marian Goodman Gallery, New York/London/Paris,  and kurimanzutto, Mexico City; photograph: Mathias Völzke

Revision and revolt in the work of Nairy Baghramian

By Brian Dillon

Berlin

30 Aug
21 Oct
Gregor Muir. Photograph: ICA, London

Introducing some of the 10 curators working across Frieze London and Frieze Masters

Elfie Semotan, Untitled, 2016, archival pigment print, 47 x 61 cm. Courtesy: Gisela Capitain, Cologne © the artist

A round-up of the best recently opened shows in the neighbouring Rhineland cities

By Pablo Larios
Andro Wekua, 'Anruf', 2016, installation view, Kölnischer Kunstverein. Photograph: Simon Vogel 

The editor of frieze d/e selects his picks of the current shows in the city

By Dominikus Müller

Galerie Buchholz, Berlin, Germany

By Kai Hoelzner
Marciana Library / Venice Marco Polo airport overlay proposal diagram 4,  2014, two digital prints on Perspex,  digital prints on brushed  aluminium, anodized aluminium brackets,  94 × 160 × 13 cm. All images courtesy Galerie Buchholz, Berlin and Cologne,  Petzel, New York City,  and T293, Rome and Naples

Travis Jeppesen considers disruption and ambivalence in the work of Simon Denny, in the run-up to the artist’s major project for the Venice Biennale

By Travis Jeppesen
Your mother sucks cocks in hell, 2015, fragment of a marble sculpture  of a child from a Roman workshop,  1st–2nd century CE; oak and  polychrome Madonna and child, French  early gothic; plywood, 53 × 40 × 35 cm. Courtesy: the artist and Marian Goodman, London and New York; photographs: Stephen White

Connections across time and place in the work of Danh Vo

Installationsansicht auf der 54. Venedig Biennale, 2011 (Alle Bilder: courtesy: Galerie Buchholz, Berlin/Cologne, außer wo es anders angegeben wird)

Following the restless sculptures of Nairy Baghramian

By Caoimhín Mac Giolla Léith
‘Pictures, Before and After –  An Exhibition for Douglas Crimp’, 2014, installation view

Galerie Buchholz and Arsenal Institut für Film und Videokunst, Berlin, Germany

By Karen Archey
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