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Lawrence Abu Hamdan

Artist Lawrence Abu Hamdan on the pivotal sounds and stories from 2017, from historical fiction to Vince Staples’s representation of race

By Lawrence Abu Hamdan
Andrea Lissoni, Tate Senior Curator, discusses the Frieze Tate Fund 2017 acquisitions at Tate Britain, London

Frieze Fairs - 10 Oct 2017

Tate Senior Curator Andrea Lissoni reveals the four works acquired at Frieze London 2017

Contemporary Art Society and Frieze Tate Fund acquisitions at Frieze London; protests over MAM São Paulo performance

Mary Beth Edelson, Selected Wall Collages (detail), 1972-2011. Ink, marker and paper mounted on canvas, dimensions varaible. Courtesy: David Lewis, New York

Lawrence Abu Hamdan, Hannah Black, Mary Beth Edelson and Dorothy Iannone selected by jury

A report and the highlights from a show themed around fluidity, flux, botany and the subterranean

By Barbara Casavecchia

The most interesting works in the IFFR’s Short Film section all grappled with questions of truth, honesty and recollection

By Arron Santry

A look back at the year that gave us Mark Greif’s Against Everything and David Bowie's final act

By Ben Eastham

Sadiq Khan plans a Creative Land Trust to help artists in London; Lawrence Abu Hamdan wins the Nam June Paik award 2016

Various venues, Liverpool, UK

By Chris Fite-Wassilak

Near and far, fact and fiction: highlights from this year's festival

By Amy Sherlock
Talks

On shared interests in sound and surveillance

Song Ta, Civil Servants, 2009, printed drawings on 1000+ office paper sheets

Lunds konsthall, Sweden

By Jacob Lillemose