New York

Shamefully, the artist was not awarded a solo show in the art-world capital until six years after his death

Kanders’s decision to step down follows months of protests over his ownership of weapons manufacturer Safariland

The artist’s montages, at David Lewis, New York, are elegant but cryptic reflections on belonging and complicity

At the Met Breuer, a winding path guides viewers through the late artist’s seductive, organic sculptures 

At the Storefront for Art and Architecture, a pop-up Puerto Rican museum employs culture as a means of resistance

Ian Bourland profiles one of the leading gallerists of the East Village scene of the 1980s

There’s impressive and unexpected art in the city, even during the summer doldrums

‘Água Viva’ is a vision of a run-down and resource-scarce future

The Black female gaze shines resiliently through the stormy surfaces of the artist’s paintings on view at Hauser & Wirth

A surprising discovery in the work of Robert Graves unlocks the meaning of the surrealist’s elusive ‘Pig Rush’

From Brooklyn Academy of Music to the New Museum, art workers are increasingly agitating for better compensation and a seat at the table

In her solo show at Galerie Eva Presenhuber in New York, the artist’s precision leaves all possible disorder to signification

In her compellingly off-kilter sculpture, Reaves imagines strange and dire futures

An exhibition at Swiss Institute, New York, reflects on the vulnerability of our bodies and our desire for intimacy

With the fair now on, your guide to the best exhibitions in the city

An exhibition at Matthew Marks Gallery, New York, examines Johns’s recent paintings and how the artist’s intentions remain steadfastly encrypted

In a show at Kasmin Gallery, New York, size reveals not the late painter’s ego, but rather his belief in personal engagement 

In a lively group show at Petzel Gallery, the late Danish artist’s irreverent ‘modification paintings’ are presented alongside some of the many works they later inspired 

In the Iranian artist’s work, memory is smudged, an accretion of sorrows or nameless longings, a pile of waterlogged books in a flooded library

For his first solo show at Gavin Brown’s enterprise, the artist’s five rapturous landscapes channel the cries of condemned and enslaved bodies under empire