Race

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How can our daily interactions with technology and consumer choices support Black lives?

In Collaboration with Deutsche Bank

As the world acknowledges the scale of racial injustice, how can a small organisation make a big difference?

In Collaboration with Deutsche Bank

Ellis’s paintings are spring-loaded with overlapping references to film and television, current events, art and cartoons.

BY Andrew Durbin |

‘Genetic Automata’ at London’s Arts Catalyst uses video games, emoji and Darwin to reveal falsehoods around race and intellect

BY Kadish Morris |

A new book traces the role of the black model in art history from the 19th century to today

BY Frieze News Desk |

Anthony Ekundayo Lennon, born to Irish parents but describes himself as ‘mixed-heritage’, won a theatre job meant to go to a BAME applicant

At the end of July, the footballer announced his resignation from the German national football team – why?

BY Jörg Heiser |

A new film uses a sculpture by the late Donald Rodney to reflect on the many tales of race and class that are etched on the skin 

BY Tavia Nyong’o |

Why the sportswear corporation built a brand philosophy premised on personal transcendence and social justice

BY Alan Bradshaw |

The LA-based artist’s videos, sculptures and photographs frame public drinking as an issue of gender, race and class

BY Eliel Jones |

A short story by novelist Wayétu Moore in response to Charles White

BY Wayétu Moore |

Is the lack of social mobility in the arts due to a self-congratulatory conviction that the sector represents the solution rather than the problem?

BY Hettie Judah |

A new report suggests that women, people from working-class backgrounds and BAME workers all face significant exclusion

BY Tom Jeffreys |

The artist's layered, tender paintings consider the history of being seen and touched by black women

BY Simone White |

US true crime series Unsolved takes two formative pop cultural events to explore their concealed human stories and systemic narratives

BY Ian Bourland |

The limits of multidisciplinarity: from Adrian Piper to the 10th Berlin Biennale

BY Pablo Larios |

From credit scores to algorithmic policing, Jackie Wang’s Carceral Capitalism reveals technocracy as not merely analytical, but predictive

BY Steven Zultanski |

On losing faith in generalism, learning to listen and embracing doubt 

BY Jonathan Griffin |

Inverting the gaze: real life biography, game play fantasy and Frantz Fanon combine in the British artist’s films

BY Charlotte Jansen |

Ways of talking about race and appropriation: Claudia Rankine, Hannah Black and Tate Modern’s ‘Black Art, Black Power’ conference

BY Ellen Mara De Wachter |