Review

Showing results 1621-1640 of 2143

Finding warmth in the pernicious world of advertising, Alex Vivian acts as a brain-stormer, composer and copywriter at Flake, Melbourne 

BY George Egerton-Warburton |

Porto Alegre, Brazil

BY Dan Fox |

Tate Britain, London, UK

BY Dan Fox |

Operating as a beacon for the murky backwater of Australian modernism, Agatha Gothe-Snape tracks the correlation between sybaritic activities and the hierarchies of the art world at The Commercial, Sydney

BY George Egerton-Warburton |

Presented by Kaldor Public Art Projects, Sydney and curated by Klaus Biesenbach and Hans Ulrich Obrist, ‘13 Rooms’ focused on the body and ideas of performance as ‘living sculpture’

BY Emily Cormack |

Musée d'Art Moderne de la Ville de Paris, France

BY Robert Barry |

The Modern Institute, Glasgow, UK

BY Chris Sharratt |

Or Gallery, Vancouver, Canada

BY Mitch Speed |

Grazer Kunstverein, Graz, Austria

BY Ulrich Tragatschnig |

Schirn Kunsthalle, Frankfurt, Germany

BY Klaus Walter |

CCA, Glasgow, & Stills, Edinburgh, UK

BY Chris Sharratt |

Norwegian artist Ane Graff explores the seepage of time and its deconstructive force at Sørlandet Art Museum, Kristiansand

BY Matthew Rana |

Carl Freedman Gallery, London, UK

BY Amy Sherlock |

Rotterdamse Schouwburg, Rotterdam, The Netherlands

BY Arielle Bier |

Galerie Juliètte Jongma, Amsterdam, The Netherlands

BY Shama Khanna |

Walden Affairs, The Hague, The Netherlands

BY Kari Cwynar |

Lüttgenmeijer, Berlin, Germany

BY Mark Prince |

At ICCD, Rome, Italy, the photographer‘s photographs focus on the marginal, the fragmented and the minimal

BY Luisa Grigoletto |

Galeria Stereo, Warsaw, Poland

BY Krzysztof Kościuczuk |
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