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Ben Rivers, The Two Eyes Are Not Brothers, 2015, production still. Courtesy the artist, Artangel and Kate  MacGarry, London; photographs: Yuki Yamamoto

The evolution of the ‘artist’s feature film'

Bruce Nauman, Pay Attention, 1973,  lithograph, 97 × 71 cm. Courtesy: the artist, Sperone  Westwater, New York, and DACS, London

In an age of perpetual distraction, how might institutions slow down and refocus the way we look at art?

A.L. Steiner, Untitled (rambutan),  2013, inkjet print. Courtesy: the artist and Deborah Schamoni Galerie, Munich; copyright A.L. Steiner

‘What does it mean to make queer art now?’ Paul Clinton asks artists and writers Catherine Lord, Carl

Ronald Cyrille, Talk Shit, 2013,  mixed treatments on Ilford paper, wood  and glass, 42 × 32 cm. Courtesy: the artist and espace d’art contemporain 14°N 61°W, Martinique; photograph: JB Barret

Holly Bynoe, Charles Campbell, Amanda Coulson, John Cox, Annalee Davis and Caryl Ivrisse-Crochemar on the role of contemporary art in the Caribbean

Todd Eberle, (Untitled) IBM 1620 Data Processing System, 1968, 1999, photograph. Courtesy: © Todd Eberle

Algorithms, Big Data and surveillance: what’s the response, and responsibility, of art?

'The System of Objects', installation view, DESTE Foundation, Athens, 2013

Tom Morton is a writer, curator, and contributing editor of frieze, based in London.

Helen Marten, 'Plank Salad', installation view, Chisenhale Gallery, London, 2012–13; courtesy: Chisenhale Gallery; photograph: Andy Keate

Brian Dillon is a writer and critic, and UK editor of Cabinet magazine.

'Hilma af Klint - A Pioneer of Abstraction', installation view Moderna Museet, Stockholm, 2013

Jennifer Higgie is co-editor of frieze and lives in London, UK.

Ghalya Saadawi, After The Future Heritage Redux, Materials for a walking tour, 6th edition of the Home Works Forum on Cultural Practices, Beirut, 2013; photograph: © Kaelen Wilson-Goldie

Kaelen Wilson-Goldie is a writer based between Beirut, Lebanon and New York, USA.

Terrence Malick, To the Wonder (2013), film still

Nana Oforiatta-Ayim is a writer and filmmaker based in Accra, Ghana, where she runs the cultural research platform, ANO.

Alfred Stieglitz, Georgia O'Keeffe (1918–1919), palladium print, included in 'African Art, New York, and the Avant-Garde', The Metropolitan Museum of Art, New York, 2013

Shanay Jhaveri lives in Mumbai, India, and London, UK.

Eli Weinberg, Crowd Near the Drill Hall on the Opening Day of the Treason Trial, Johannesburg, December 19, 1956. Times Media Collection, courtesy Museum Africa, Johannesburg.

Emily Pethick is director of The Showroom, London.