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A number of young artists such as Patrick Goddard, Marie Jacotey and Stuart Middleton are exploring the possibilites of the graphic novel

By Patrick Langley
Architect’s rendering of Louvre Abu Dhabi, United Arab Emirates, under construction. Courtesy: Ateliers Jean Nouvel, Artefactory, TDIC and Louvre Abu Dhabi

Sam Thorne invites ten curators to reveal how they envision the museum 25 years from now

By Sam Thorne
Ben Rivers, The Two Eyes Are Not Brothers, 2015, production still. Courtesy the artist, Artangel and Kate  MacGarry, London; photographs: Yuki Yamamoto

The evolution of the ‘artist’s feature film'

By Dan Kidner
Bruce Nauman, Pay Attention, 1973,  lithograph, 97 × 71 cm. Courtesy: the artist, Sperone  Westwater, New York, and DACS, London

In an age of perpetual distraction, how might institutions slow down and refocus the way we look at art?

By Anthony Huberman
A.L. Steiner, Untitled (rambutan),  2013, inkjet print. Courtesy: the artist and Deborah Schamoni Galerie, Munich; copyright A.L. Steiner

‘What does it mean to make queer art now?’ Paul Clinton asks artists and writers Catherine Lord, Carl

Ronald Cyrille, Talk Shit, 2013,  mixed treatments on Ilford paper, wood  and glass, 42 × 32 cm. Courtesy: the artist and espace d’art contemporain 14°N 61°W, Martinique; photograph: JB Barret

Holly Bynoe, Charles Campbell, Amanda Coulson, John Cox, Annalee Davis and Caryl Ivrisse-Crochemar on the role of contemporary art in the Caribbean

By Dan Fox
Todd Eberle, (Untitled) IBM 1620 Data Processing System, 1968, 1999, photograph. Courtesy: © Todd Eberle

Algorithms, Big Data and surveillance: what’s the response, and responsibility, of art?

By Jörg Heiser
'The System of Objects', installation view, DESTE Foundation, Athens, 2013

Tom Morton is a writer, curator, and contributing editor of frieze, based in London.

By Tom Morton
Helen Marten, 'Plank Salad', installation view, Chisenhale Gallery, London, 2012–13; courtesy: Chisenhale Gallery; photograph: Andy Keate

Brian Dillon is a writer and critic, and UK editor of Cabinet magazine.

By Brian Dillon
'Hilma af Klint - A Pioneer of Abstraction', installation view Moderna Museet, Stockholm, 2013

Jennifer Higgie is co-editor of frieze and lives in London, UK.

By Jennifer Higgie
Ghalya Saadawi, After The Future Heritage Redux, Materials for a walking tour, 6th edition of the Home Works Forum on Cultural Practices, Beirut, 2013; photograph: © Kaelen Wilson-Goldie

Kaelen Wilson-Goldie is a writer based between Beirut, Lebanon and New York, USA.

By Kaelen Wilson-Goldie
Terrence Malick, To the Wonder (2013), film still

Nana Oforiatta-Ayim is a writer and filmmaker based in Accra, Ghana, where she runs the cultural research platform, ANO.

By Nana Oforiatta-Ayim