Tom Morton

With shades of the flâneur, the artist wanders the German philosopher’s rural retreat at Todtnauberg in a new series of short films

By Tom Morton

Paywalls are going up everywhere, intellectual property is being jealously hoarded, and the long-predicted streaming wars are finally on

By Tom Morton

Some suggestions for the International Council of Museums

By Tom Morton

This year, all the shortlisted artists were named joint winners – what to make of this act of (institutionally approved) subversion?

By Tom Morton

In an exhibition at Focal Point Gallery, the artist looks to the local marshes of Canvey Island with a weird degree of hope  

By Tom Morton

To expect the progressive, internationalist art world to participate in a celebration of Brexit is to fire a volley into the culture war

By Tom Morton

A new spirit of bleak realism and self-questioning has infiltrated comic adaptations everywhere

By Tom Morton

‘What our descendants will make of this object depends on what survives of us’

By Tom Morton
Lawrence Weiner, WHOLE CLOTH STRETCHED TO THE LIMIT, (2013), installation view, 'Everything at Once', 2017, Lisson Gallery, London. Courtesy: Lisson Gallery © Lawrence Weiner; photograph: Jack Hems

Lisson Gallery at Store Studios, London, UK

By Tom Morton
Erik van Lieshout, The Basement, 2014, HD film, colour, sound, wood, carpet, photocopies. Courtesy: the artist and Maureen Paley, London; photograph: Andy Stagg

South London Gallery, UK

By Tom Morton
Annika Eriksson, The Social, 2017, wallpaper and objects on a shelf, 500 x 450 cm. Courtesy: The artist and Moderna Museet, Malmö
 

Moderna Museet, Malmö, Sweden

By Tom Morton

Stuart Shave/Modern Art, London, UK

By Tom Morton