Tom Morton

Ahead of an exhibition at Pace and Thaddaeus Ropac in London, the artist reflects on John Berger’s influence and embracing ambiguity

Curated by artist and lecturer Peter Davies, this intimate exhibition at The Approach highlights a vibrant moment in London's art scene

Dreamlike landscapes and eerie memories weave together, forming a captivating blend of the past and present at London’s GRIMM Gallery

Inspired by Virginia Woolf, the artist’s prints at Herald Street in London explore themes of life, death and the allure of possessions throughout history

At its best, the artist’s London survey is a ferocious display of courage, while at its worst, it feels like a tribute act

At Kunsthal Charlottenborg, the artist’s ecclesiastical paintings channel the ethereal visions of William Blake and the earthy primitivism of Paul Gauguin

At Phillida Reid, London, a series of elegant ink drawings prods at the art world’s social anxieties

At Josh Lilley, London, the artist’s depictions of a not-so-blissful domesticity evoke Lee Lozano and Pablo Picasso

The artist’s oversized flowers at Stephen Friedman Gallery, London, address ideas of inheritance and nurture 

Artists and writers, including Huw Lemmey and John Smith, select their favourite programmes from the broadcaster’s history

At Newport Street Gallery, London, the artist performatively burnt thousands of his own works 

The artist’s first solo exhibition at David Zwirner, London, absorbs us into single, intimate moments

From Danielle Brathwaite-Shirley’s interactive exploration of Black trans allyship to Lubaina Himid’s overdue retrospective at Tate Modern

At Seventeen, London, a group show engineered by Joey Holder and Omsk Social Club presents itself as a creepy ‘Squid Game’-esque clinic

At Sprüth Magers in London, the artist’s robotic snake is a harbinger of destruction and regeneration

Capturing moments of stillness and anticipation, at Workplace, London, the artist uses layers of stippled colours to conjure never-ending narratives

With shades of the flâneur, the artist wanders the German philosopher’s rural retreat at Todtnauberg in a new series of short films

Paywalls are going up everywhere, intellectual property is being jealously hoarded, and the long-predicted streaming wars are finally on

Some suggestions for the International Council of Museums

This year, all the shortlisted artists were named joint winners – what to make of this act of (institutionally approved) subversion?