On the odd fraternity between investor Peter Thiel and literary theorist René Girard

From Palantir to Microsoft to Google, the new resistance arises from labour itself

Or, the links between Brexit and suspense television

A group exhibition at Pérez Art Museum Miami challenges apocalyptic forecasts for a region on the front lines of climate change 

‘Lande’, at Oxford’s Pitt Rivers, begets core questions about art and its display

The 1994 exhibition, ‘The Institute of Cultural Anxiety’, at the Institute of Contemporary Arts in London resonates powerfully with the culture and politics of 2019

Remembering a meeting of two worlds in November 1989

Can a trio of exhibitions in New York shed light on this enigmatic figure?

The prize-winning sociologist on where measurement fails

Activism in the age of the ‘Superbug’

As ‘Countryside, The Future’ opens at the Guggenheim, Koolhaas explains the rapid shifts occurring in rural zones

In Buffalo, the artist Marlene McCarty has planted a toxic garden that draws on the area’s intertwined histories of capitalism, expropriation and utopian dreaming

A roundtable with Mexicali and Tijuana artists Mely Barragán, Pablo Castañeda, Fernando Méndez Corona and collector Alonso Elias. With a poem by artist Guillermo Gómez-Peña

The challenges faced by the Institut Valencià d’Art Modern have involved a form of firefighting that many museums outside of capital cities seem in thrall to

Kaelen Wilson-Goldie on 13BC and the artists using art, science and technology to map the world

Informed by the legacies of funk and jazz, the artist’s many collaborations are given space to shine

The artist’s stuttering videos, on view at Freedman Fitzpatrick, challenge conventional notions of artistic authorship and circulation

Kilimnik’s subjects are nearly always brutal – murder, empire, war – and just as often delivered with a practiced detachment

The artist’s fantastical sculptures and bas reliefs, on view at Lisson, New York, combine prehistoric creatures with oil barons and kings

Drones, 1980s synth-pop and a giant chess board turn the show into a game whose rules are never quite clear

An exhibition at Galerie Thaddaeus Ropac, London, unveils the surrealist undercurrents of 1960s pop 

In a new show, Sze pairs precision with nods to disassembly or messy composition

His ‘brutalist dollhouses’ invite viewers into the void ‘in the friendliest manner’ 

At the Nasher Sculpture Center, Dallas, the artists’ first US museum survey traces their slick, satirical and sentimental practice

At Bangkok Art & Culture Centre, a survey of work from the mid-1980s to the early 2000s captures an art scene in transition

A new show at London’s IMT gallery attempts to exorcise the horror of British politics

This year’s edition of the triennial advocates for several marginalized groups but fails to create enough space for their individual discourses

From international newspapers to the artist’s personal image archive, an exhibition at K21, Kunstsammlung NRW, Düsseldorf, examines the mass of information and its impact on agency

The artist’s extensive solo show at Kunsthalle Düsseldorf is full of moments of vulnerability

A timely show at the Netherlands’ Cobra Museum is devoted to eight women connected with the mid-century avant-garde movement

Should art explain, solve or soothe? In ‘The Seventh Continent’, answers are thin on the ground

In ‘This Marram’, TM Davy ushers you into a very personal – and almost enchanted – sliver of Fire Island

At the Stedelijk Museum, Amsterdam, it’s hard to tell what’s real and what isn’t

A new installation at CCA, Glasgow, reflects on capitalism’s failure to protect even the identities it formed

In three video installations, the artist stages theatrical mise-en-scènes at Salzburger Kunstverein

Two shows at David Zwirner, New York, champion the artist's ability to capture the sound of a now-bygone world

As the full communications blackout enters one month, we must take action – not only to declare solidarity but to profoundly critique the times we live in

An elegant exhibition of ceramics at Kettle’s Yard, Cambridge, UK, questions our expectation of functionality