Chantal Akerman

From dynamic performance and moving image to several major biennials, four frieze editors discuss the year in art

From Chris Ofili’s portraits of Othello at David Zwirner to Barbara Crane’s double-exposed casino signs at Centre Pompidou

In My Mother Laughs, Akerman’s pain while watching her mother’s health worsen becomes entwined with the shock of heartbreak

‘Each hypnotic frame of No Home Movie lasts just long enough to allow our minds to wander, summoning recollections of domestic spaces’

At New York’s Metrograph, a diverse film programme addresses a ‘central problem’ of feminist filmmaking

Encounters with the late Chantal Akerman's films

Chantal Akerman, Jumana Manna and Virgilio Sieni: Barbara Casavecchia shares her highlights from 2015

An homage to Chantal Akerman (1950 – 2015)

Über No Home Movie, den letzten Film von Chantal Akerman, auf der Viennale 2015

The British screenwriter and director discusses the films that have influenced her practice

In an ongoing series, frieze asks artists and filmmakers to list the films that have influenced them

Galerie Marian Goodman, Paris, France

frieze asks artists and filmmakers to list the movies that have influenced their practise

Various venues, Kassel, Germany