Chantal Akerman

At New York’s Metrograph, a diverse film programme addresses a ‘central problem’ of feminist filmmaking


14 Sep
21 Oct

Encounters with the late Chantal Akerman's films

Jonas Mekas, In an instant it all came back to me, 2015. Courtesy the artist and A Palazzo, Brescia

Chantal Akerman, Jumana Manna and Virgilio Sieni: Barbara Casavecchia shares her highlights from 2015

Delphine Seyrig in Jeanne Dielman, 23, quai du Commerce, 2080 Bruxelles, 1975, 35mm film still. Courtesy Paradise Films, Brussels, and Marian Goodman Gallery, New York

An homage to Chantal Akerman (1950 – 2015)

Chantal Akerman, No Home Movie, 2015, video still

Über No Home Movie, den letzten Film von Chantal Akerman, auf der Viennale 2015

Chantal Akerman, Golden Eighties, 1986. Courtesy: Paradise Films

The British screenwriter and director discusses the films that have influenced her practice

In an ongoing series, frieze asks artists and filmmakers to list the films that have influenced them

Galerie Marian Goodman, Paris, France

Derek Jarman, The Garden, 1990. Courtesy: Ronald Grant Archive

frieze asks artists and filmmakers to list the movies that have influenced their practise

Various venues, Kassel, Germany