An extract of Philip Guston's thoughts on painting and drawings taken from an upcoming book, I Paint What I Want to See (2022), featuring his notes and interviews
Ahead of her presentation in the French Pavilion at this year's Venice Biennale, Zineb Sedira speaks with Róisín Tapponi about the influence of Third Worldist cinema and transnational alliances on her practice
Ahead of the artist’s contribution to the German Pavilion, Adam Szymczyk considers how she might embrace the loaded history of the country she will represent
Im Vorfeld von Maria Eichhorns Beitrag für den deutschen Pavillon stellt Adam Szymczyk Überlegungen hinsichtlich der Frage an, in welcher Form die Künstlerin das Thema Zugänglichkeit aufgreifen wird – angesichts einer Welt, die um den Begriff der Grenze herum organisiert ist.
Avram Finkelstein looks back on Gran Fury’s contribution to the 1990 Venice Biennale, The Pope and the Penis, and considers how the immediacy of social media might have impacted the AIDS activist collective
Celebrating the author and filmmaker’s 90th birthday, frieze invited him to reflect on Walter Benjamin’s favourite film and the pleasure machines of Coney Island
On the occasion of the artist’s first solo exhibition in Berlin at KW Institute for Contemporary Art, Carina Bukuts writes about his 20-year practice of deconstructing the image politics of war