Features

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The gallery enters its sixth decade as one of its founding member, Judith Bernstein, turns 80 

BY Valeria Napoleone |

For some, Frieze Week is synonymous with invitations to eat. One writer explores the sometimes secretive art-world ritual

BY Matthew McLean |

A new public program of talks, screenings and Buddhist meditation launches in the art landmark on the Bowery

BY Matthew McLean |

The photographer recalls her experiences working undercover, and how they informed her art practice

Jessica Lynne speaks to the artist about photographing the Rio Grande and deconstructing borders

BY Jessica Lynne AND Zoe Leonard |

A special commission for Frieze New York 2022 revives and extends the artist’s project for a changing present

BY Tom Burr |

An extract of Philip Guston's thoughts on painting and drawings taken from an upcoming book, I Paint What I Want to See (2022), featuring his notes and interviews

BY Philip Guston |

Jack Halberstam on how abstraction can offer a means of representing, complicating, dispersing and concealing trans embodiment

BY Jack Halberstam |

Simon Wu considers how the artist’s shiny sculptural configurations reflect the art world’s taste back at itself

BY Simon Wu |

frieze contributors and editors nominate a young photographer whose work excites and intrigues them

Ahead of her presentation in the French Pavilion at this year's Venice Biennale, Zineb Sedira speaks with Róisín Tapponi about the influence of Third Worldist cinema and transnational alliances on her practice 

BY Róisín Tapponi |

The writer shares her tips for how to navigate the opening week bustle

BY Linda Yablonsky |

Ahead of the artist’s contribution to the German Pavilion, Adam Szymczyk considers how she might embrace the loaded history of the country she will represent

BY Adam Szymczyk |

Im Vorfeld von Maria Eichhorns Beitrag für den deutschen Pavillon stellt Adam Szymczyk Überlegungen hinsichtlich der Frage an, in welcher Form die Künstlerin das Thema Zugänglichkeit aufgreifen wird – angesichts einer Welt, die um den Begriff der Grenze herum organisiert ist.

BY Adam Szymczyk |

Avram Finkelstein looks back on Gran Fury’s contribution to the 1990 Venice Biennale, The Pope and the Penis, and considers how the immediacy of social media might have impacted the AIDS activist collective

BY Avram Finkelstein |

Francesco Tenaglia speculates on whether performance will have a repeat victory at this year’s Biennale

BY Francesco Tenaglia |

Celebrating the author and filmmaker’s 90th birthday, frieze invited him to reflect on Walter Benjamin’s favourite film and the pleasure machines of Coney Island

BY Alexander Kluge |

On the occasion of the artist’s first solo exhibition in Berlin at KW Institute for Contemporary Art, Carina Bukuts writes about his 20-year practice of deconstructing the image politics of war

BY Carina Bukuts |

Kellen Johnson speaks to Ian Bourland about how his work on the museum’s security staff has informed his decisions for curating a show at the BMA

BY Kellen Johnson AND Ian Bourland |