Philomena Epps traces the transgressive histories of erotic art made by female artists during the sexual revolution 

Writers Juliet Jacques and Isabel Waidner recent books track the legal recognition of transgender people in the UK

Ahead of a major new exhibition in Wiels, Belgium, the artist speaks with Yve-Alain Bois about the influence of Antoine Wiertz on her latest body of work

The artist answers the frieze Questionnaire

Translator Sophie Hughes on what might be lost when we translate literature into English

On the occasion of a major exhibition spanning four cities, Steve Locke takes a close look at a new painting by the artist

Theophilus Imani discovers how we might be able to translate images instead of words

A lecturer of multilingual students at Tokyo University of Arts, Andrew Maerkle reflects on how translation of art criticism can be emancipatory

The artist’s illustrated diary unravels the complexities of learning grammar in English, Dutch, German and Japanese

Jostling cruise ships, migrant dinghies and quarantine boats in the Mediterranean show how much COVID-19 heightened an existing crisis of belonging in Europe

Kamayani Sharma on the tragedies and ethical dilemmas facing photographers and journalists on the subcontinent

Lewis Bush on the troubling histories of photographic archives as organisations face resignations and revelations about the contents of their collections

The painter’s largest retrospective to date, at Tate Britain, cements her place as one of Britain’s most inventive and compelling living artists  

This summer, frieze sent novelist Tom McCarthy to Danh Võ’s studio to celebrate the solstice – and the undeniable seductions of the German countryside

At Taymour Grahne Projects, the artist's saturated paintings depict the city’s queer community in the nostalgic afterglow of nightclub life

On the Isle of Bute, the artist uses objects to expose the geology of the 18th-century Mount Stuart House and engage with the Scottish mansion's material history

The director’s latest film questions the reality of social media tropes and the boundaries between ‘genuine’ and ‘performed’ in a world of online influencers

At the Museum of Contemporary Art, Chicago, the artist presents a suite of paintings in close dialogue with the architecture of the exhibition space

For her solo exhibition at Triangle – Astérides, Marseille, the Algerian artist has given gallery-goers full access to approximately 5000 of her personal possessions drawing stark contrasts between the movement of goods and people

At Goldsmiths Centre for Contemporary Art, the London-based artist’s installation re-appropriates industrial and mass-produced objects, unlocking their numerous connotations

At Jean Claude Maier, Frankfurt am Main, the artist samples from institutions that continue to hoard his native country's heritage, connecting the dots between Christianity and the Angolan textile cultures lost to colonial practices

At Botkyrka Konsthall, the Afro-Swedish artist presents new works that combine ethnobotanical research and (self-)care to make innovative use of the Black historical archive

At LAYR, Vienna, the Bahamian artist’s hazy horse paintings focus on interspecies relationships within a personal and historical context

The exhibition at Tate Liverpool takes women’s liberation as its basis, leaning on frustratingly narrow definitions to justify connections between Linder and Martine Syms 

At the Institute of Contemporary Art at Virginia Commonwealth University, the artist presents a site-responsive project that looks at the fraught history of post-slavery labour practices across the Virginia countryside

Agar has been widely associated with the European avant-garde movement but, as Whitechapel Gallery’s retrospective makes clear, she sought to define no one’s image but her own

For the artist’s first US institutional solo show, at the Museum of Modern Art, Hill presents a series of works that probes the Indigenous economic life of tobacco

A survey of the artist's work at Kunsthalle Bern celebrates Geys's desire to challenge the status quo and bring art to masses

The artist’s new show at Dundee Contemporary Arts explores the intense physicality of collective sorrow through the body as landscape

At Sweetwater, Berlin, the artist plays on passé 1980's glamour, sculpturally employing transparent and mirrored surfaces to attract and deflect the gaze

At Fondazione Prada, the artist’s site-specific installation plays on puns and cultural icons to debate identify politics through the story of a cartoon bear called Who

At Konrad Fischer Galerie, Berlin, the artist harnesses her voice to explore how sound can sculpt our perceptions of space

A group show at Richard Saltoun Gallery attempts to disentangle the 20th-century political philosopher's question, exploring perspectives from the individual to the state

At Participant Inc, the artist presents photographic and video works that reflect on our increased reliance on digital space 

At Candice Madey, a presentation of the late artist early works, drawings, paintings and photographs reveals Ellis's meticulous process of reconceptualising his family archive

An exhibition at Kunstverein, Amsterdam, highlights the artist’s pioneering work with progressive writers of the 1970s and '80s, including Kathy Acker, Constance DeJong and Pati Hill

At the Cleveland Museum of Art’s contemporary art outpost, Transformer Station, the artist teams up with a group of teenage curators to present works that celebrate the enthusiasm of childhood artmaking

At the Baltimore Museum of Art, the artist presents three works that challenge the myth of American exceptionalism and reflect on the hard truths of US imperial rule

At Centre d’Art La Panera, Lleida, the artist reflects on our changing relationship to the land through sculptures that disintegrate over time

At Marisa Newman Projects, the artist presents an installation exploring his first experiences of identifying the self through colour

At Cooke Latham Gallery, the artist replicates a doctor’s surgery, using mythic creatures as a metaphor for living with polycystic ovary syndrome

At Bel Ami, Los Angeles, the artist’s paintings take a satirical look at the grisly history of American bigotry against US Asian populations